Miss Gish came back in “Uncle Vanya,” a comedy by the Russian Chekhov. She had the role of Helena. Of her, Robert Litell said in The New York World: “She is not quite like any other actress I have ever seen, with a lovely repose and certainty, a combination of delicate shades and pastel dignity which make us realize how great the screen’s gain has been all these years, to our loss.”
LILLIAN GISH returns to the stage in the Chekhov comedy after an absence of 17 years. She last appeared on a prosceniumed platform in New York in 1913, along with Ernest Truex and Mary Pickford, in “A Good Little Devil” at the Republic. Since “The Birth of a Nation” her fame in pictures has been secure. Among the notable films which she has illumined, are “Intolerance,” “Broken Blossoms,” “Way Down East,” “Orphans of the Storm,” “The White Sister,” “Hearts of the World,” “Romola” and “The Scarlet Letter.” Miss Gish made her stage debut at the age of six in a melodrama, “In Convict’s Stripes,” in Rising Sun, Ohio. She was born in Springfield, Ohio, and has never married.
“Uncle Vanya” represents a perfectly balanced cast under consummate stage direction – and for play-goers who are immune to the subtle, brooding enchantment of Chekhoff. It offers a pretty lady whose name was a household word in the great days of David Wark Griffith and the silent silver screen. She, of course, is Lillian Gish, fair haired, slender, spirituelle – an actress who might have stepped out of Tennyson’s lyrics – “She has a lovely face, the Lady of Shalott.”