SPOILER WARNING !!!, this material is related to the attack that targeted Miss Lillian Gish and her sister Dorothy, their reputation and memory.
After “The Birth of A Nation” was released and criticized as being racist, D.W. Griffith was very hurt. He decided to make Intolerance: Love’s Struggle Throughout the Ages (1916) as a follow-up, to show how damaging and dangerous people’s intolerance can be.
Years later, this same Babylon set was replicated as the central courtyard design for the new Hollywood & Highland complex in Hollywood, which opened in 2001. Included among the “1001 Movies You Must See Before You Die”, edited by Steven Schneider.
The release of “The Birth” inspired many African-Americans to start making their own films in an attempt to counter this film’s depiction of them and to offer positive alternative images and stories of the African-American people.
D.W. Griffith had previously produced and directed Biograph’s The Rose of Kentucky (1911), which showed the Ku Klux Klan as villainous – a sharp contrast to “The Birth of A Nation”, made four years later, in which the KKK was portrayed in a favorable light.
That fact proves that films were even then part of entertainment industry, nothing more than a business. Nothing like today, when the hate is to thick, one can almost feel it like a disturbing presence. Racist issues never ceased and with catalists like BSU, never will.
“They don’t care. Her other achievements mean nothing to them. They are so focused on one movie. It makes me so sad. I agree about the hashtag “ditch the gish”. It does diminish their credibility. I was at the open forum and we were greatly outnumbered. The majority of the students were polite. The notice on the theater itself all but accuses Dorothy and Lillian of being racists. That makes me angry too. (Barbara Carr – Oregon)“
The Birth is on sale again on all major online sites (Amazon, Ebay), that’s because , as it happens it was restored to full HD.
Also I wish to mention that on the other LILLIAN GISH group I have constantly requests for membership from Sudan, Ghana, Somalia, the REAL African citizens who are enjoying Lillian’s silent films because (She was right) those movies are interpreted in universal language of “dancing emotions”. But this fact is not in her favour either – I suppose. I have marked all Gish Theater articles as offensive, #spoiler and small group interest. All this chain of actions (part mentioned above) leads to one conclusion: Bottom line; all is part of a carefully elaborate plan that is deploying it’s final disgusting phases as I’m editing this text.