Pictures and Picturegoer June 1924
Love, Lava and Lillian
By Josie P. Lederer
You’ll find all three in “The White Sister.”
Lillian Gish changed her director and her company and went away from America to make The White Sister, but her screen sufferings remain unabated still. Her trials and tribulations as the heroine of this movie are absolutely heartrending.
After a brief half-reel of happiness, as the petted daughter of an Italian aristocrat, her father is killed whilst hunting and the poor little soul’s sorrows begin. And they have no ending, though she finds something like peace for a while in a beautiful white hospital in a little town hard by Vesuvius.
Quite early in the film ” Angela ” is defrauded of her name and position by her malevolent half-sister, and of her soldier lover by a none too well-staged African expedition. In despair, she becomes a nun, a ” White Sister,” incidentally providing some thoroughly interesting views of the ceremonies attending the taking of her final vows.
After which the hero, who was not dead, but imprisoned in the desert, escapes, and returns home just too late. There is real drama in the unexpected meeting of the unhappy lovers in the hospital to which he has come seeking news of his brother. The message is brought to him by ” Angela ” herself, ignorant, of course of his identity. Then the poor heroine suffers further anguish when she refuses to ask for a Papal dispensation so that she can go to her lover.
At this point the spectator’s feelings are harrowed unto breaking point. and even the lava in Vesuvius rises to protest. Contrary to expectations it does not engulf everybody in its relentless flow, though it and a burst reservoir realistically destroy the village. The soldier hero dies bravely, after helping others to escape; the sinful sister also dies (but confesses first) and the film ends with an impressive open-air mass and a final glimpse of the heroine’s tear-filled eyes contemplating her lover’s bier.
It is an interesting movie, though a bit ” slow ” at times, for it was made entirely in Italy and boasts of some fine photography and scenery. There are views of Naples, and some shots of an Italian garden that is poem, with its terrace and tall cypresses; an imposing chateau, many picturesque streets, and actual pictures in colour of Vesuvius in action.