“A House Built on Sand” The Shadow Stage – Julian Johnson 1917 “A House Built Upon Sand” Reviewed By Peter Milne – 1917 “A House Built Upon the Sand” MOTOGRAPHY, Jan. 13, 1917 “An Innocent Magdalene” MOTOGRAPHY June 17, 1916 “Birth of a Nation” Breaks All Records – (Photoplay, July 1924) “BROKEN BLOSSOMS” FULL OF BEAUTY By Edward Weitzel (May 31, 1919 THE MOVING PICTURE WORLD) “Daphne and the Pirate” Santa Cruz Evening News – 1916 “Intolerance” Reviewed by Thomas C. Kennedy (1916 – Motography) “Max Reinhardt” (“Stigmata”; The Film that was never made) “Romola” (Moving Picture World – 1924) “Sold for Marriage” – MOTOGRAPHY – April 15, 1916 “The Angel of Contention” (THE MOVING PICTURE WORLD July 1914) “THE GREAT LOVE” (D. W. Griffith) 1918 “The Rebellion of Kitty Belle.” (THE MOVING PICTURE WORLD – July, 1914) “When we said Lillian is cutting “Romola,” we meant it” (Screenland – 1924) ”Way Down East”- Camera (1920) … At 90, still making movies – F. M. Winship, 1986 1987 Cannes Film Festival 70 Years of Film History (1976) – by Richard Lawton A close-up of that illusive young star, Lillian Gish By Delight Evans (Photoplay 1921) A Life In Photography – by Edward Steichen *1984 A Life on Stage and Screen – by STUART ODERMAN A Limehouse Rose – Current Opinion, July 1919 A Pictorial History of the Silent Screen – By Daniel Blum 1953 A Picture That Was No Picnic – Motion Picture Magazine, 1927 A Tale of Two Gishes – The Picturegoer Magazine (May, 1922) A Timely Interception (1913) Biograph A Wedding (1978) Adventures of Huckleberry Finn (1985 – 86) ADVENTURES WITH D. W. GRIFFITH – By Karl Brown (1973) Alan Alda is busy promoting ‘Sweet Liberty’ – By Bob Thomas (1986) Alan Alda’s ‘SWEET LIBERTY’ By Vincent Canby, 1986 (The NY Times) ALBIN NY – 1922 American Girls use too much rouge – Movie Weekly American Women in the Performing Acts (2002) by Liz Sonneborn An Artist Who Shaped Art of Film An Indian’s Loyalty – MOTOGRAPHY – October 7, 1916 An Interview with LILLIAN GISH – MAGILL’S CINEMA ANNUAL 1983 An intimate story of the Gish – Part III, Movie Weekly, April 1st, 1922 An Intimate Story of the Gish PART II – (Movie Weekly) March 25 1922 Annie Laurie (1927) Another Great Picture, “The Great Love” Are the Stars Doomed? (Photoplay Magazine) As a film historian \ I am very concerned about the current agitation at Bowling Green At 88, ‘Iron Butterfly’ spirit indomitable (1984) Attagirl, Lillian. The Gang’s with you! Austria and the War – New York Times (1927) ‘The Childrens Pay’ – Morning Press, Cali. 1916 ‘Way Down East’ Looks Real Only Because It Is Real (New York Tribune, Sep. 1920) “I hold the record as champion deserted wife in films” “ONE ROMANTIC NIGHT” Albert Bigelow Paine – 1932 “ROMOLA” by Albert Bigelow Paine – 1932 “Sold For Marriage” Evening Ledger – Philadelphia, 1916 “The Enemy,” Starring Lillian Gish in Her First Modern Role – San Pedro California 1928 “The Greatest Thing in Life” Paramount and Artcraft Press Books – 1919 Billy Bitzer – HIS STORY (1973) Black & White & Red – By David Denby (The New Yorker) 2012 Body in The Barn (1964) Alfred Hitchcock, Lillian Gish, Maggie McNamara Bringing ‘Whales’ to silver screen wasn’t easy (1987) Broken Blossoms – Across the Silversheet (Motion Picture Magazine) Broken Blossoms 1919 (Classics of The Silent Screen – By Franklin Joe – 1959) Broken Blossoms or The Yellow Man and the Girl (1919) Broken Blossoms Wins Praise of Chicago Critic Cape Coat Continues to Appeal to Slender Figure (1927) Captain Macklin (1915) Celebrity cookbook – Lillian Gish’s recipe for gnocchi Verdi (1978) Charles Laughton – An Intimate Biography (Charles Higham – 1976) Chief Sunrise, John McGraw, and Me (Timothy Tocher – 2004) CHILD ACTORS … Clansman’s Realism, Inspires Awe – Los Angeles Herald 1915 Classics of the silent screen by Franklin Joe (1959) – “The Birth of a Nation” Code of the Screen – Photoplay – October 1926 Commandos Strike at Dawn (1942) Confidences Off-Screen “What a World We Live In” 1925 Critics Praise Lillian Gish in “The White Sister” – Moving Picture World – 1924 D. W. Griffith, Pioneer Film Producer, Dies (July 23, 1948) D.W. Griffith D.W. Griffith (1875-1948) – by William M. Drew D.W. Griffith has revived “The Two Orphans” (Photoplay November 1921) D.W. Griffith Hits Rare Theme in “Broken Blossoms” (Los Angeles Herald, 1919) D.W. Griffith might be the richest man – By Frederick J. Smith (Photoplay – Dec. 1926) D.W. Griffith’s Intolerance Its Genesis and Its Vision (1986) by William M. Drew Daphne and the Pirate (1916) David W. Griffith, The Man and His Methods by Donald Crisp (The Picturegoer – 1921) Diane of the Follies (1916) Dorothy and Mae Tell Secrets – By Will Rex (1916) Dorothy Gish, reveals how she happened – Los Angeles Herald 1919 Dorothy Gish—Her Story By Marguerite Sheridan (Picture Play Magazine 1918) Duel in the Sun – Motion Picture Herald – January 2nd 1947 Editorial Chats with Exhibitors on David W. Griffith’s “True Heart Susie” Empire of Dreams (The Epic Life of Cecil B. DeMille) – By Scott Eyman (2010) ENOCH ARDEN (1915) — Louis Reeves Harrison – The Moving Picture World Enoch Arden 1915 Erte Speaks His Mind (By Annette Buroughs – PHOTOPLAY February, 1926) European Directors in America, 1922-1931 – SEASTROM European Postcards, Miss Lillian Gish Film Facts; “The Most Beautiful Blond” – 1914 First great movie star Gish – Boston Globe, 2001 First New York Showing of “Broken Blossoms” Is a Great Artistic Triumph – By Edward Weitzel, 1919 Follow Me, Boys! (1966) For me, Lillian Gish put BGSU on the map! Golden With Age – Chicago Tribune, 1987 Grand Old Lillian Gish Makes a Big Splash in the Whales of August Great American Film Directors – 1987 (D.W. Griffith) Griffith to Stage The Greatest Thing in Life’ Next Monday Evening (LAH – 1918) Griffith’s Picture (Orphans) Angers the French – Photoplay 1923 Griffith: The Minor Masterworks By Herb Sterne (Rob Wagner’s Script – 1946) Griffith—and the Great War – By Paul H. Dowling (Picture-Play Magazine March 1918) Griffith’s Musical Secrets – Picture Play 1922 Hambone and Hillie (1983) Hearts of the World (1918) HEARTS OF THE WORLD (Griffith/Paramount-Artcraft, 1918) – Selected Film Criticism Henry B. Walthall, his impressions of Lillian Gish (By Myrtle Gebhart – Picture Play 1926) His Double Life (1933) Key Book Photos His Double Life – By Norbert Lusk (Picture Play 1934)/ Molly Levin (Picture Play 1935) His Double Life 1933 Hobson’s Choice – 1983 Hollywood – By BOB THOMAS – The Associated Press (1945) Hollywood costume – Glamour! Glitter! Romance! HOLLYWOOD in The Twenties (1968) by David Robinson HOLLYWOOD ROYALTY – HORS D’OEUVRES (1992) – by Gregory Speck Hollywood Star Profiles (The Reporter) – Lillian Gish (1984) Hollywood: The Golden Era by Jack Spears (1971) HOME, SWEET HOME (Reliance-Majestic/Mutual, 1914) – Selected Film Criticism How Griffith Picks His Leading Women – By Harry C. Carr (Photoplay 1918) I Go A – calling on the Gish Girls – By Richard Willis (1914) In Plaid and Tartan By Norbert Lusk (Picture Play Magazine, 1927) Interview – July 7, 1913 edition of the “Massillon Evening Independent” Interviewing Miss Gish … INTOLERANCE (Griffith Wark, 1916) Selected Film Criticism Intolerance – 1916 – By Franklin Joe (1959) Intolerance Is the Greatest Movie Ever Made Intolerance: Love’s Struggle Throughout the Ages (1916) IT WAS FUN WHILE IT LASTED (1973) BY ARTHUR H. LEWIS John Huston: Maker of Magic – By Stuart Kaminsky – 1978 (The Unforgiven) Joyce (Coad) Growing Toward Stardom (MOVING PICTURE WORLD HOLLYWOOD OFFICE June 25, 1927) KING VIDOR – 1988 L.A. Film Favorites in “The Clansman” February 1915 (LAH) La Bohème (1926) – La Boheme La Boheme – Romantic Drama – By Agnes Smith (MGM) – 1926 Ladies in Distress – Kalton C. Lahue (1971) Lars Hanson – Photoplay Magazine July, 1927 LEADING LADIES – 1976 (Electa Clark) Letters of Carl Van Vechten – 1987 Liberty – 1930; Miss Gish Finds Her Voice Life With Mother Lillian FIGHTS Alone – By Leonard Hall – 1929 Lillian Gish (Amazing Ohio – By Damaine Vonada, 1989) Lillian Gish (Classics of The Silent Screen – By Franklin Joe – 1959) Lillian Gish – A tribute to a Trouper (Anita Loos – 1984) Lillian Gish By Kevin Brownlow (San Francisco Cine – 1985) Lillian Gish comes to Saddleback College (Lariat – 1978) Lillian Gish Enjoyed Directing Her Sister – New York Tribune, Feb. 29, 1920 Lillian Gish in “The White Sister” – The Film Daily – September 9, 1923 Lillian Gish in Annie Laurie – Lola Todd (1927) Lillian Gish Marks Time – By Aileen St. John Brennon (Picture Play Magazine – September 1928) Lillian Gish Tells How Ice Scenes Were Filmed (Washington Herald – 1921) Lillian Gish tops playing roles in silent movies – By Mike Hughes (1988) Lillian Gish, 75 years of Hollywood … Lillian Gish, Close-Up Lillian Gish, The Enigma of the Screen – By James R. Quirk (Photoplay 1926) Lillian Gish: The Actor’s Life for Me (Film) Lillian Gish: The Silent Past Lillian would be equally at home with the Beatles and with the Archbishop of Canterbury. LILLIAN GISH at Auditorium in SEX PLAY – TUESDAY Lillian Gish Finds Ideal Role in Her Latest Film, ‘La Boheme,’ – 1926 Lillian Gish Has Tragic Role of Mimi in Cabrillo Picture, “La Boheme” Lillian Gish is Star in Fine Arts “Diane of the Follies” at Mission (1916) Lillian Gish Rates Title of ‘Most Durable Star’ – 1965 Lillian Gish still favorite dish – By Marilyn August, October – 1983 LION of HOLLYWOOD (2005) LizBits – Nine Pine Street – By Neilson Caplain (October, 2002) Looking Back 25 Years (Picture Show Annual – 1936) Love in the Film – By William K. Everson (1979) Madera Tribune, 1926 “Romola” Marks of age are lost in her glow – 1978 by Carol Olten (NY) Meet “Battling” Burrows – 1919 Memories of Lillian Gish – Motion Picture Classic (1922) Miss Susie Slagle’s (1946) Motion Picture Classic 1926 – Letters to “King Dodo” Movie Star – A Look at the Women Who Made Hollywood – By Ethan Mordden (1983) Movies in America – By William Kuhns – 1972 (The Birth of a Nation) New STYLES in SCREEN GIRLS – By Harry Carr (1926) Newspaper Opinions on New Pictures – “Annie Laurie” (Motion Picture News – June, 1927) Not So Long Ago – By Lloyd Morris – 1949 (The Old Master – D.W. Griffith) One Illusion Intact –By Helen Klumph One Romantic Night (1930) ONE ROMANTIC NIGHT – Kinema Guide – January 12th to 18th, 1931 (London) Only the Best – A Celebration of Gift Giving in America Orders to Kill (1958) Orphans of the Storm (1921) ORPHANS OF THE STORM—D. W. Griffith – Photoplay Magazine – March 1922 Our “Young Visitors” By Faith Service 1920 Our Animated Monthly of Movie News and Views – By Sally Roberts (Motion Picture Magazine 1919) Pathways Of Life – 1916 PBS Reopens `Masters` With A Charming Gish (July 11, 1988) Picture-Play Magazine (June 1926) “La Boheme” – Sally Benson Picturing “La Boheme” – By John Gilbert (Screenland July 1926) Playing to the Camera – 1998 (Film Actors Discuss Their Craft) Portrait of Jennie (1948) Posters, Lobby Cards, Promos, Press PRESS STORIES “A Romance of Happy Valley” Re-Meet Lillian Gish (A 60 seconds close-up) 1942 – by Jerry Mason Reel women pioneers of the cinema, 1896 to the present – Ally Acker (1991) Religion in the Cinema – By Ivan Butler (1969) Remember The Silent Screen Sisters? (1975) Remodeling her husband – 1920 REMODELING HER HUSBAND Paramount-Artcraft, 1920) Selected Film Criticism Robert Altman enthusiast – Lillian Gish remains eager and excited (1978) Romola (1924) San Pedro News Pilot 1924 – “The White Sister” – Prologue SCREEN ACTING by Mae Marsh 1921 SCREENING OUT THE PAST By LARY MAY (1980) Selected Film Criticism – BROKEN BLOSSOMS (Anthony Slide) Sold For Marriage 1916 SONS COME AND GO, MOTHERS HANG IN FOREVER – By William Saroyan – 1976 Souls Triumphant (1917) Star Acting – Gish, Garbo, Davis – By Charles Affron (1977) STAR GLITTERS – 1980 STAR MAKER – The Story of D. W. Griffith (1959) by HOMER CROY STARDOM – THE HOLLYWOOD PHENOMENON – By Alexander Walker – 1970 (All For Art – Lillian Gish) State Rights Sale for “Judith of Bethulia (Motion Picture News – 1917) Sweet Liberty (1986) Sweetheart – The Story of Mary Pickford 1973 Tasteless Film Sex Disturbs Lillian Gish Tenth Anniversary (Exhibitors Herald – June 27, 1925) The Battle of Elderbush Gulch – MOTOGRAPHY July 31, 1915 The Birth of a Nation (1915) The Birth of an Era The Children Pay – 1916 The Children Pay – Review by Julian Johnson – 1917 (Photoplay) The choice for viewing tonight is ‘Hobson’s Choice’ – Bill Hayden (1983) The Clansman is coming to Local Theater – 1916 The Cobweb (1955) The Comedians – 1967 The Defenders (TV Series) 1962 The Enemy (1927) The Enemy (MOVING PICTURE WORLD December 31, 1927) The Enemy (Reviewed by Laurence Reid – Motion Picture News 1927) The Expressions Of Lillian Gish (Picture Show, 1920) The Face That Launched A Thousand Films – 1993 (Chicago Tribune) The First Lady of The Silent Screen … The Girl Who Is Different – By Harry Carr (1924) The Glamour Factory – Ronald L. Davis 1993 THE GREAT LOVE (Paramount-Artcraft, 1918) Selected Film Criticism THE GREATEST QUESTION (Griffith/First National, 1919) Selected Film Criticism The Greatest Thing in Life – 1918 The House Built Upon Sand – Filmed in The Gish Home (J.C. Jessen – 1916) The House Built Upon Sand 1916/ 1917 THE HUNCHBACK – Reel Life – April 11, 1914 The Lady and the Mouse (1913) The Lily and The Rose (1915) The Lily and The Rose – Reviewed by Neil G. Caward (Motography 1915) The Lily Maid From Ohio – F. J. Smith – Motion Picture (1921) The Love Boat – TV Series (1977–1987) The MGM Girls Behind The Velvet Courtain – 1983 The Mona Lisa of The Movies – By Delight Evans (Screenland – June 1924) THE MOTHERING HEART (American Biograph, 1913) The Movies in the Age of Innocence – By Edward Wagenknecht (1962) I The Movies in The Age of Innocence – By Edward Wagenknecht (1962) II THE MUSKETEERS OF PIG ALLEY (American Biograph, 1912) The New York Herald, Sunday December 19, 1920 (Way Down East) The Night of the Hunter (1955) The Parade’s Gone By … Kevin Brownlow – 1968 The Real Lillian Gish Vs. The Imaginary – By Julian Johnson (Photoplay 1918) The Real Sirens of the Screen – By Agnes Smith (Photoplay September, 1926) The Scarlet Letter (1926) The Scarlet Letter – By Nathaniel Hawthorne (Screenland – May 1926) The Screen’s Foremost Artist – Motion Picture News (1927) The Serious Side of the Women of the Screen – Filmplay July 1922 THE SILENT SCREEN – Richard Dyer MacCann The Sisters – 1914 The Sound and the Fury (1955) The Spectator (1999) – Studs Terkel The Story of “La Boheme” 1926 THE SWAN – By Edwin and Eliza Shallert (Picture Play 1930) The Unforgiven (1960) The Unknown Hollywood I Know … When Lillian Gish was a real vamp … By Katherine Albert (Photoplay 1932) The Whales of August (1987) The White Sister (1923) The White Sister in A Bright Red Coat – 1923 The Wind (1928) – Nov 27 USA The Wind, beautiful in its sheer ferocity. The Winnipeg Tribune – Cavalcade of The Screen (By Erskine Johnson – 1943) THE WOMAN WHO WAITS (Paramount and Artcraft Press Book May,1919) Theresa Neumann’s Stigmata They Say He’s a Genius – By Sheilah Abraham (1943) Those Gish Girls, EACH IS MORE ALLURING Than the Other (1919) Through The Looking Glass – Selma G. Lanes (2004) TOP Man (1943) Tribute to Gish telecast – April 17, 1984 True Heart Susie (1919) Warning Shot (1967) Way Down East (September 3, 1920 – USA) WAY DOWN EAST (Griffith/United Artists, 1920) Selected Film Criticism Way Down East – Richard Brody (The New Yorker) We Interview the Two Orphans – Gladys Hall /Adele Whitely Fletcher We’re Surprised, Lillian! – MOTOGRAPHY August 19, 1916. Weeps at Own Play – 1919 (Los Angeles Herald) What Happened to Lillian Gish? By Frederick L. Collins – June 1933 What I Demand of Movie Stars – By David W. Griffith (Motion Picture Classic 1916) What Love Means to Me – By Lillian Gish (Pictures and Picturegoer – October 1924) What Makes Them Cry – By Frederick James Smith (PHOTOPLAY 1923) When it comes to versatility, Price is right By BOB THOMAS – 1988 Why Are We Glad to Get Back Home – Motion Picture Magazine 1924 Will the Churches Defeat Censorship? By Frances Rule (Picture Play Magazine 1926) Would I Do It Over Again? – Lillian Gish said … Photoplay June 1922 You And Your Hand – By CHEIRO (1932 GB)- The Hand of Lillian Gish
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