“A House Built on Sand” The Shadow Stage – Julian Johnson 1917 “A House Built Upon Sand” Reviewed By Peter Milne – 1917 “A House Built Upon the Sand” MOTOGRAPHY, Jan. 13, 1917 “An Innocent Magdalene” MOTOGRAPHY June 17, 1916 “Birth of a Nation” Breaks All Records – (Photoplay, July 1924) “BROKEN BLOSSOMS” FULL OF BEAUTY By Edward Weitzel (May 31, 1919 THE MOVING PICTURE WORLD) “Daphne and the Pirate” Santa Cruz Evening News – 1916 “Diane of the Follies” by Thomas C. Kennedy (Motography – September 30, 1916) “Do They Criticize Me?’ – By Madeline Glass (Picture Play Magazine – November 1926) “Intolerance” Reviewed by Thomas C. Kennedy (1916 – Motography) “Love’s struggle through the Ages” – There was a curse upon it. (Photoplay – 1925) “Max Reinhardt” (“Stigmata”; The Film that was never made) “Romola” (Moving Picture World – 1924) “Sold for Marriage” – MOTOGRAPHY – April 15, 1916 “The Angel of Contention” (THE MOVING PICTURE WORLD July 1914) “The Children Pay” Reviewed by Thomas C. Kennedy (MOTOGRAPHY – Chicago, November 25, 1916) “THE GREAT LOVE” (D. W. Griffith) 1918 “The Greatest Thing In Life” advertising campaign (Paramount and Artcraft Press Books – Dec 1918) “The Rebellion of Kitty Belle.” (THE MOVING PICTURE WORLD – July, 1914) “The White Sister”—Inspiration – Pros and Cons “When we said Lillian is cutting “Romola,” we meant it” (Screenland – 1924) ”Way Down East”- Camera (1920) ‘Miss Lillian’ – IRVING L. JAFFE (The New York Times – May 4, 1969) ‘My Dream Has Come to Life’ – By Harold C. Schonberg (The New York Times – March 30, 1978) (Ronald Colman) – A Ladies Man (Photoplay 1924) … At 90, still making movies – F. M. Winship, 1986 1987 Cannes Film Festival 70 Years of Film History (1976) – by Richard Lawton A close-up of that illusive young star, Lillian Gish By Delight Evans (Photoplay 1921) A Lady With Class – By Liz Smith (Chicago Tribune – 1969) A Life In Photography – by Edward Steichen *1984 A Life on Stage and Screen – by STUART ODERMAN A Limehouse Rose – Current Opinion, July 1919 A New Hero of the Films—Ronald Colman (Vanity Fair 1927) A Pictorial History of the Silent Screen – By Daniel Blum 1953 A Picture That Was No Picnic – Motion Picture Magazine, 1927 A Tale of Two Gishes – The Picturegoer Magazine (May, 1922) A Timely Interception (1913) Biograph A Tribute To “The Birth Of A Nation” – By Rupert Hughes (United Artists Pressbook, 1915) A Wedding (1978) A White Star – By Richard Dyer (Sight and Sound – Aug. 1993 BFI – GB) Adventures of Huckleberry Finn (1985 – 86) ADVENTURES WITH D. W. GRIFFITH – By Karl Brown (1973) After ‘Life With Father’ Lillian Gish Owns the (Chicago) Town – By Lloyd Lewis (New York Times, 1941) After “Way Down East,” Lillian signed with Sherrill (Photoplay – September 1920) Alan Alda is busy promoting ‘Sweet Liberty’ – By Bob Thomas (1986) Alan Alda’s ‘SWEET LIBERTY’ By Vincent Canby, 1986 (The NY Times) ALBIN NY – 1922 America’s First Women Directors – Anthony Slide – Boston /London 1996 American Girls use too much rouge – Movie Weekly American Silent Film – By William K. Everson (1978) American Women in the Performing Acts (2002) by Liz Sonneborn An Artist Who Shaped Art of Film An Evening Entertainment – Lillian Gish – By Richard Koszarski (1990) An Illustrious Sister Act – The art of Lillian Gish -By Malcolm H. Oettinger (Picture Play Magazine 1925) An Indian’s Loyalty – MOTOGRAPHY – October 7, 1916 An Innocent Magdalene – By Kitty Kelly (Chicago Tribune – June 8, 1916) An Interview with LILLIAN GISH – MAGILL’S CINEMA ANNUAL 1983 An intimate story of the Gish – Part III, Movie Weekly, April 1st, 1922 An Intimate Story of the Gish PART II – (Movie Weekly) March 25 1922 And Right After This Message, Miss Lillian Gish – By Jon Krampner (The New York Times – 1999) Annie Laurie (1927) Annie Laurie – By C.S. Sewell (MOVING PICTURE WORLD May 21, 1927) Another Great Picture, “The Great Love” Are the Movie Folk Morons? – By Gladys Hall (Motion Picture Magazine – April 1923) Are the Stars Doomed? (Photoplay Magazine) As a film historian \ I am very concerned about the current agitation at Bowling Green As Lillian Gish Views Art – Written By Lillian Gish (The New York Times – Sunday July 1st, 1928) At 88, ‘Iron Butterfly’ spirit indomitable (1984) Attagirl, Lillian. The Gang’s with you! Austria and the War – New York Times (1927) ‘The Childrens Pay’ – Morning Press, Cali. 1916 ‘Way Down East’ Looks Real Only Because It Is Real (New York Tribune, Sep. 1920) “A Romance of Happy Valley”– by Frederick James Smith (Motion Picture Classic – Vol VIII, April 1919) “I hold the record as champion deserted wife in films” “La Boheme” – By Mae Tinee (Chicago Tribune – July 07, 1926) “La Boheme”—M-G-M Exquisite Masterpiece Edited by C.S. Sewell (Moving Picture World – 1926) “ONE ROMANTIC NIGHT” Albert Bigelow Paine – 1932 “Over There” with the Nobility and an All Star Cast (“The Great Love”) – By Mae Tinee – Chicago Tribune – 1918 “ROMOLA” by Albert Bigelow Paine – 1932 “Sold For Marriage” Evening Ledger – Philadelphia, 1916 “The Enemy,” Starring Lillian Gish in Her First Modern Role – San Pedro California 1928 “The Fatal Marriage” (Enoch Arden) – Chicago Tribune – 1922 “The Greatest Question” – By Frederick James Smith (Motion Picture Classic – February 1920) “The Greatest Thing in Life” Paramount and Artcraft Press Books – 1919 Billy Bitzer – HIS STORY (1973) Black & White & Red – By David Denby (The New Yorker) 2012 Blackmail, Blacklist, and Injustice for all … Body in The Barn (1964) Alfred Hitchcock, Lillian Gish, Maggie McNamara BONNIE ANNIE LAURIE (Motion Picture Art Portfolio 1927) Book World to Take Look at ‘Lillian Gish’ (Chicago Tribune – 1969) Brief Reviews – LIFE AND LILLIAN GISH (The New York Times – October 30, 1932) Bringing ‘Whales’ to silver screen wasn’t easy (1987) Broken Blossoms – Across the Silversheet (Motion Picture Magazine) Broken Blossoms – By Peter Milne (Picture Play Magazine – 1919) Broken Blossoms – Exhibitors Campaign Sheet (Released through United Artists) Broken Blossoms 1919 (Classics of The Silent Screen – By Franklin Joe – 1959) Broken Blossoms or The Yellow Man and the Girl (1919) Broken Blossoms Wins Praise of Chicago Critic Cape Coat Continues to Appeal to Slender Figure (1927) Captain Billy’s Whiz Bang – 1921 (Way Down East) Captain Macklin (1915) Celebrity cookbook – Lillian Gish’s recipe for gnocchi Verdi (1978) Charles Laughton – An Intimate Biography (Charles Higham – 1976) Chats with D.W. Griffith, Lillian Gish – By W. Adolphe Roberts – Motion Picture Magazine (1925) Chief Sunrise, John McGraw, and Me (Timothy Tocher – 2004) CHILD ACTORS … City Bestows Accolade On a Cheerful Miss Gish (The New York Times – Oct. 18, 1973) Clansman’s Realism, Inspires Awe – Los Angeles Herald 1915 Classics of the silent screen by Franklin Joe (1959) – “The Birth of a Nation” Code of the Screen – Photoplay – October 1926 Commandos Strike at Dawn (1942) Commandos Strike at Dawn – 1942 (Affron/ Oderman) Confidences Off-Screen “What a World We Live In” 1925 Conversation With Lillian Gish – Sight and Sound – BFI – England, January 1958 Critics Praise Lillian Gish in “The White Sister” – Moving Picture World – 1924 D. W. Griffith, Pioneer Film Producer, Dies (July 23, 1948) D.W. Griffith D.W. Griffith (1875-1948) – by William M. Drew D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith has revived “The Two Orphans” (Photoplay November 1921) D.W. Griffith Hits Rare Theme in “Broken Blossoms” (Los Angeles Herald, 1919) D.W. Griffith might be the richest man – By Frederick J. Smith (Photoplay – Dec. 1926) D.W. Griffith’s Intolerance Its Genesis and Its Vision (1986) by William M. Drew Daphne and the Pirate (1916) David W. Griffith, The Man and His Methods by Donald Crisp (The Picturegoer – 1921) Diane of the Follies (1916) DIANE OF THE FOLLIES – 1916 (reviews) Dick Barthelmess was married … for real, not just in Way Down East (Picture Play Magazine 1920) Die Kino-Königin – A Critical Appreciation of the First Lady of the Cinema – by George Jean Nathan (Vanity Fair 1924) Director Gish (Photoplay Vol. XVII March 1920 No.4) Dorothy and Mae Tell Secrets – By Will Rex (1916) Dorothy Gish – By ANTHONY SLIDE – 1973 Dorothy Gish, reveals how she happened – Los Angeles Herald 1919 Dorothy Gish—Her Story By Marguerite Sheridan (Picture Play Magazine 1918) Doug and Mary and Others – A book by Allene Talmey (1927) Duel in the Sun – Motion Picture Herald – January 2nd 1947 Early Women Directors – Anthony Slide (1977) Edith Head, “Miss Susie Slagle’s,” and “Warning Shot” Editorial Chats with Exhibitors on David W. Griffith’s “True Heart Susie” Empire of Dreams (The Epic Life of Cecil B. DeMille) – By Scott Eyman (2010) ENOCH ARDEN (1915) — Louis Reeves Harrison – The Moving Picture World Enoch Arden 1915 Erte Speaks His Mind (By Annette Buroughs – PHOTOPLAY February, 1926) European Directors in America, 1922-1931 – SEASTROM European Postcards, Miss Lillian Gish Everything’s Quite Lovely in “Way Down East” – By Mae Tinee (Chicago Tribune – 1920) Exploitation on “Broken Blossoms” Is Explained in Detail (The Moving Picture World – December 13, 1919) Film Facts; “The Most Beautiful Blond” – 1914 FILM INSTITUTE SALUTES LILLIAN GISH — By John J. O’Connor (The New York Times 1984) Filming a Richard Harding Davis Story (Captain Macklin) By Bennie Lubinville Zeidman (The Photoplayers Weekly – April 1915) Films That Made Them Famous – By May Herschel Clarke (Picture Show Annual – 1926) Final Close-Ups (Lillian Gish) – By Charles Affron – 2001 First great movie star Gish – Boston Globe, 2001 First New York Showing of “Broken Blossoms” Is a Great Artistic Triumph – By Edward Weitzel, 1919 Flashing Back to Romance – By Malcolm H. Oettinger (Picture Play Magazine – November 1921) Follow Me, Boys! (1966) For me, Lillian Gish put BGSU on the map! Friends Tried and True (Lillian, Dorothy, Mary and Mildred) By M. Lewis Russel Gish and Davis: Could the Two Work Together? – By Mike Kaplan (The New York Times – 1993) Gish and Garbo – The Executive War on Stars – By Louise Brooks (Sight and Sound – January, 1959 – London, England) Glimpses of a Legend – By Kevin Brownlow (Sight and Sound – April, 1984 BFI England) Golden With Age – Chicago Tribune, 1987 Grand Old Lillian Gish Makes a Big Splash in the Whales of August Great American Film Directors – 1987 (D.W. Griffith) Griffith and “The Birth of a Nation” – By William K. Everson (1978) Griffith in the Twenties – (Orphans of the Storm) – By William K. Everson (1978) Griffith Renews Old Promises – By Kenneth Macgowan (Motion Picture Classic – 1919) Griffith Sees Real War – By Harry C. Carr (Photoplay March 1918) Griffith to Stage The Greatest Thing in Life’ Next Monday Evening (LAH – 1918) Griffith’s Cameraman, Billy Bitzer – An Interview by Beaumont Newhall (1965) Griffith’s Picture (Orphans) Angers the French – Photoplay 1923 Griffith: The Minor Masterworks By Herb Sterne (Rob Wagner’s Script – 1946) Griffith—and the Great War – By Paul H. Dowling (Picture-Play Magazine March 1918) Griffith’s Musical Secrets – Picture Play 1922 Hambone and Hillie (1983) Hearts of the World (1918) HEARTS OF THE WORLD (Griffith/Paramount-Artcraft, 1918) – Selected Film Criticism HEARTS of the WORLD – A Review By Julian Johnson (Photoplay Vol. XIV June, 1918 No. 1) Hearts of the World – Fictionized version by Julian Johnson (Photoplay July 1918) Hearts of the World – 1918 – Compiled by Seymour Stern, May, 1947 (Special Supplement to Sight and Sound) Henry B. Walthall, his impressions of Lillian Gish (By Myrtle Gebhart – Picture Play 1926) HENRY KING – Director From Silents to ‘Scope (1995) His Double Life (1933) Key Book Photos His Double Life – By Norbert Lusk (Picture Play 1934)/ Molly Levin (Picture Play 1935) His Double Life 1933 Hobson’s Choice – 1983 HOBSON’S CHOICE – By John J. O’Connor (The New York Times – Dec. 21, 1983) Hollywood – By BOB THOMAS – The Associated Press (1945) Hollywood costume – Glamour! Glitter! Romance! Hollywood Honors Miss Gish – By Aljean Harmetz (The New York Times – 1984) HOLLYWOOD in The Twenties (1968) by David Robinson HOLLYWOOD ROYALTY – HORS D’OEUVRES (1992) – by Gregory Speck Hollywood Star Profiles (The Reporter) – Lillian Gish (1984) HOLLYWOOD The Pioneers – by Kevin Brownlow, 1979 Hollywood: The Golden Era by Jack Spears (1971) HOME, SWEET HOME (Reliance-Majestic/Mutual, 1914) – Selected Film Criticism How “Way Down East” Was Filmed (By Charles Gatchell – The Picturegoer, September 1921) How Griffith Picks His Leading Women – By Harry C. Carr (Photoplay 1918) How I Saw “Hearts of the World” – By Marguerite Sheridan (Picture Play Magazine 1918) How the Great Directors Work – by Harry Carr (Motion Picture Magazine – May, 1925) I Go A – calling on the Gish Girls – By Richard Willis (1914) Ike and Mama and the Once in a Lifetime Movie – By Carol Snyder – 1981 In Plaid and Tartan By Norbert Lusk (Picture Play Magazine, 1927) In the Cyclone Belt – By Norbert Lusk (Picture Play 1929) Interview – July 7, 1913 edition of the “Massillon Evening Independent” Interviewing Miss Gish … Interviews with Prominent Directors – D.W. Griffith (by Roberta Courtlandt 1915) Motion Picture Magazine INTOLERANCE (1916) – By Seymour Stern – Special Supplement to Sight and Sound 1946 INTOLERANCE (American Silent Film – By William K. Everson, 1978) INTOLERANCE (Griffith Wark, 1916) Selected Film Criticism Intolerance – 1916 – By Franklin Joe (1959) INTOLERANCE By Hector Ames (Motion Picture Classic Vol. 3, 1916) Intolerance Is the Greatest Movie Ever Made Intolerance: Love’s Struggle Throughout the Ages (1916) IT WAS FUN WHILE IT LASTED (1973) BY ARTHUR H. LEWIS John Huston: Maker of Magic – By Stuart Kaminsky – 1978 (The Unforgiven) Joseph Schildkraut, The Future Great Actor (Photoplay 1921) Joyce (Coad) Growing Toward Stardom (MOVING PICTURE WORLD HOLLYWOOD OFFICE June 25, 1927) Just Marionettes – By Louise Williams (Picture Play Magazine September 1919) KENNEDY CENTER HONORS 5 IN ARTS – By Irvin Molotsky, Special To the New York Times, 1982 KING VIDOR – 1988 L.A. Film Favorites in “The Clansman” February 1915 (LAH) La Bohème (1926) – La Boheme La Boheme (by George T. Pardy) Motion Picture News, 1926 La Boheme – Romantic Drama – By Agnes Smith (MGM) – 1926 La Boheme with an Extra Girl – By Margaret Reid (Picture Play Magazine – February 1926) Ladies in Distress – Kalton C. Lahue (1971) Lars Hanson – Photoplay Magazine July, 1927 LEADING LADIES – 1976 (Electa Clark) Letters of Carl Van Vechten – 1987 Liberty – 1930; Miss Gish Finds Her Voice Life Is Beautiful, Says Lillian Gish – By Aileen St. John Brennon (Picture Play – March, 1927) Life With Mother Lillian FIGHTS Alone – By Leonard Hall – 1929 Lillian Gish (Amazing Ohio – By Damaine Vonada, 1989) Lillian Gish (Classics of The Silent Screen – By Franklin Joe – 1959) Lillian Gish (Picture Show Annual – 1929) Lillian Gish (Triangle) Pictorial 1917 Lillian Gish – A charming 73, she is life’s genuine heroine – By Pat Colander (Chicago Tribune 1973) Lillian Gish – A Tribute to a Trouper – By ANITA LOOS (The New York Times – September 14, 1980) Lillian Gish – The Movies, Mr. Griffith, and Me (Review by ARTHUR MAYER, New York Times, 1969) LILLIAN GISH – Vanity Fair – December 1932 (George Jean Nathan) Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Lillian Gish and Max Reinhardt – A Miracle That Failed Lillian Gish and MGM aka “Heaven And Hell All Contained In Five Acres” Lillian Gish Archive to Go To Performing Arts Library – By William Grimes – Jan. 23, 1997 (The New York Times) Lillian Gish – A tribute to a Trouper (Anita Loos – 1984) Lillian Gish – To Be or Not To Be … in “Faust” Lillian Gish ‘Lobbies’ for Old Newsreels (The New York Times – 1979) Lillian Gish By Kevin Brownlow (San Francisco Cine – 1985) Lillian Gish By Monte Blue (Photoplay Magazine – July 1924) Lillian Gish chats with Merv Griffin (The Way It Was – CBS Thu. Jan. 14, 1970) Lillian Gish comes to Saddleback College (Lariat – 1978) Lillian Gish Enjoyed Directing Her Sister – New York Tribune, Feb. 29, 1920 Lillian Gish honored by fans she loves best – movie people – By Gene Siskel (Chicago Tribune – 1977) Lillian Gish in “Buried Alive.” By Mordaunt Hall.b.r.c. (The New York Times – Dec. 16, 1933) Lillian Gish in “The White Sister” – The Film Daily – September 9, 1923 Lillian Gish in a Hurricane (Pictorial) 1927 (Picture-Play August 1927) Lillian Gish in Annie Laurie – Lola Todd (1927) Lillian Gish in True Heart Susie (1919) – by James Naremore (In Focus: Routledge Film Readers – edited by Pamela Robertson Wojcik – 2004) Lillian Gish Is Working in the Mojave Desert—Wind, the Menace (The New York Times July 3, 1927) Lillian Gish Looks Back on a Century – By John J. O’Connor (The New York Times – 1988) Lillian Gish Makes Her Bow in Version of a Molnar Play – Marion Davies’s Comedy – By Mordaunt Hall, 1930 Lillian Gish Marks Time – By Aileen St. John Brennon (Picture Play Magazine – September 1928) Lillian Gish Plans Double Exposure (The New York Times – 1969) Lillian Gish Plays Hawthorne Heroine – By Mae Tinee (Chicago Tribune – 1927) Lillian Gish returns as “the mother” in “The Swan” (1948) Lillian Gish Shines in ‘All the Way Home,’ as She and Sister Have in Many Things – By Brooks Atkinson (New York Times, 1960) Lillian Gish Tells How Ice Scenes Were Filmed (Washington Herald – 1921) Lillian Gish tops playing roles in silent movies – By Mike Hughes (1988) Lillian Gish Tribute at AFI Series – By Barbara Saltzman (L.A. Times – August 1979) Lillian Gish’s Face (Opinion – The New York Times – 1993) Lillian Gish, 75 years of Hollywood … Lillian Gish, Close-Up Lillian Gish, Maker of Memories – By Kevin Brownlow (The New York Times 1997) Lillian Gish, the Author, Talks on D. W. Griffith – By HOWARD THOMPSON (New York Times – April 18, 1969) Lillian Gish, The Enigma of the Screen – By James R. Quirk (Photoplay 1926) Lillian Gish: A Night to Recall The Glory Years – By JUDY KLEMESRUD (The New York Times – 1980) Lillian Gish: The Actor’s Life for Me (Film) Lillian Gish: The Silent Past Lillian would be equally at home with the Beatles and with the Archbishop of Canterbury. LILLIAN GISH at Auditorium in SEX PLAY – TUESDAY Lillian Gish Finds Ideal Role in Her Latest Film, ‘La Boheme,’ – 1926 Lillian Gish Has Tragic Role of Mimi in Cabrillo Picture, “La Boheme” Lillian Gish is Star in Fine Arts “Diane of the Follies” at Mission (1916) Lillian Gish Rates Title of ‘Most Durable Star’ – 1965 Lillian Gish still favorite dish – By Marilyn August, October – 1983 LION of HOLLYWOOD (2005) LizBits – Nine Pine Street – By Neilson Caplain (October, 2002) Looking Back 25 Years (Picture Show Annual – 1936) Lost Hollywood – By David Wallace – 2001 Love in the Film – By William K. Everson (1979) Love, Laughter and Tears – My Hollywood Story (By Adela Rogers St.Johns – 1978) Love, Lava and Lillian (The White Sister) by Josie P. Lederer – Picturegoer June 1924 Madera Tribune, 1926 “Romola” Marks of age are lost in her glow – 1978 by Carol Olten (NY) Max Reinhardt with Lillian Gish (Chicago Tribune 1928) May Hear Lillian Gish (The New York Times, June 2, 1929) Meet “Battling” Burrows – 1919 Memories of Lillian Gish – Motion Picture Classic (1922) Miss Susie Slagle’s (1946) Modern Women: Women Artists at the Museum of Modern Art – Edited by CORNELIA BUTLER and ALEXANDRA SCHWARTZ More From Hollywood – By DeWitt Bodeen – 1977 (Frances Marion) Motion Picture Classic 1926 – Letters to “King Dodo” Movie Star – A Look at the Women Who Made Hollywood – By Ethan Mordden (1983) Movies in America – By William Kuhns – 1972 (D.W. Griffith) Movies in America – By William Kuhns – 1972 (The Birth of a Nation) Music For Silent Films [1894 – 1929] Compiled by Gillian B. Anderson (Music Division 1988) My Friend, Lillian Gish – By Louise Williams (Picture Play Magazine – November 1920) New STYLES in SCREEN GIRLS – By Harry Carr (1926) Newspaper Opinions on New Pictures – “Annie Laurie” (Motion Picture News – June, 1927) NORMAN KERRY is the finest guy in Hollywood – By Ruth Waterbury (Photoplay 1927) Not So Long Ago – By Lloyd Morris – 1949 (The Old Master – D.W. Griffith) Notes on People; The Untiring Lillian Gish, 84 – By David Bird and Albin Krebs (The New York Times 1981) Old Movie Days Recalled – By Mary Middleton (Chicago Tribune – 1963) Old Wounds … New Scars – By Alma Talley, 1928 One Illusion Intact –By Helen Klumph One Romantic Night (1930) ONE ROMANTIC NIGHT – Kinema Guide – January 12th to 18th, 1931 (London) Only the Best – A Celebration of Gift Giving in America Orders to Kill (1958) Orphans of the Storm (1921) ORPHANS OF THE STORM—D. W. Griffith – Photoplay Magazine – March 1922 Our “Young Visitors” By Faith Service 1920 Our Animated Monthly of Movie News and Views – By Sally Roberts (Motion Picture Magazine 1919) Pathways Of Life – 1916 PBS Reopens `Masters` With A Charming Gish (July 11, 1988) Picture-Play Magazine (June 1926) “La Boheme” – Sally Benson Picturing “La Boheme” – By John Gilbert (Screenland July 1926) Playing to the Camera – 1998 (Film Actors Discuss Their Craft) Portrait of Jennie (1948) Posters, Lobby Cards, Promos, Press PRESS STORIES “A Romance of Happy Valley” Re-Meet Lillian Gish (A 60 seconds close-up) 1942 – by Jerry Mason Reel women pioneers of the cinema, 1896 to the present – Ally Acker (1991) Religion in the Cinema – By Ivan Butler (1969) Remember The Silent Screen Sisters? (1975) Remodeling a Husband – By FAITH SERVICE (Motion Picture Classic – 1920) Remodeling her husband – 1920 REMODELING HER HUSBAND Paramount-Artcraft, 1920) Selected Film Criticism Robert Altman enthusiast – Lillian Gish remains eager and excited (1978) Romola (1924) Romola (Motion Picture Magazine May 1925) Romola Recommended as An Antidote. (Picture Play Magazine 1925) Salaam (The Scarlet Letter) – By Norbert Lusk (Picture Play Magazine – Nov. 1926) San Pedro News Pilot 1924 – “The White Sister” – Prologue Screen Acting – Its Requirements And Rewards – By Inez And Helen Klumph – 1922 SCREEN ACTING by Mae Marsh 1921 SCREENING OUT THE PAST By LARY MAY (1980) Seductive Cinema – The Art of Silent Film (By James Card – 1994) Selected Film Criticism – BROKEN BLOSSOMS (Anthony Slide) Seventy Years of Cinema (Orders to Kill) – By Peter Cowie – 1969 Silent Star – By Colleen Moore (1968) Sold For Marriage 1916 SONS COME AND GO, MOTHERS HANG IN FOREVER – By William Saroyan – 1976 Souls Triumphant (1917) STAGE 1937 – The Birth of an Era (By Lillian Gish) Star Acting – Gish, Garbo, Davis – By Charles Affron (1977) STAR GLITTERS – 1980 STAR MAKER – The Story of D. W. Griffith (1959) by HOMER CROY STARDOM – THE HOLLYWOOD PHENOMENON – By Alexander Walker – 1970 (All For Art – Lillian Gish) State Rights Sale for “Judith of Bethulia (Motion Picture News – 1917) Sweet Liberty (1986) Sweetheart – The Story of Mary Pickford 1973 Tasteless Film Sex Disturbs Lillian Gish Tears and Cheers for Two Orphans at the Armstrong (The Rock Island Argus – 1922) Tenth Anniversary (Exhibitors Herald – June 27, 1925) The Battle of Elderbush Gulch – MOTOGRAPHY July 31, 1915 THE BATTLE OF THE SEXES (1914 – 1928) The Birth of a Nation (1915) The Birth of an Era The Celluloid Critic – Broken Blossoms (Motion Picture Classic – August 1919) The Children Pay – 1916 The Children Pay – By Julian Johnson (Photoplay – February 1917) The Children Pay – Review by Julian Johnson – 1917 (Photoplay) The choice for viewing tonight is ‘Hobson’s Choice’ – Bill Hayden (1983) The Clansman is coming to Local Theater – 1916 The Cobweb (1955) The Cobweb (1955) – Affron /Oderman The Comedians – 1967 The Decline Of A Mandarin – by Peter John Dyer (Sight and Sound – January, 1959 – London, England) The Defenders (TV Series) 1962 The Dorothy and Lillian Gish Prize (New Yorker – August 15, 1994) The Enemy (1927) The Enemy (MOVING PICTURE WORLD December 31, 1927) The Enemy (Reviewed by Laurence Reid – Motion Picture News 1927) The Expressions Of Dorothy Gish – (Picture Show, 1920) The Expressions Of Lillian Gish (Picture Show, 1920) The Face That Launched A Thousand Films – 1993 (Chicago Tribune) The Filming of “Way Down East” – By Charles Gatchell (Picture Play Magazine August 1920) The First Lady of The Silent Screen … The Girl Who Is Different – By Harry Carr (1924) THE GISH SIS-STARS (Picture Show Annual – 1926) The Gishes Go A-Calling and Find the Triangle Girls At Home – By Joan Benson (Motion Picture Classic 1917) The Glamour Factory – Ronald L. Davis 1993 THE GREAT LOVE (Paramount-Artcraft, 1918) Selected Film Criticism The Great War Propaganda – By Louella O. Parsons (Photoplay 1918) THE GREATEST QUESTION (Griffith/First National, 1919) Selected Film Criticism The Greatest Thing in Life – 1918 The Greatness of Griffith – By W.B. Turner (Pictures and Picturegoer – August 1925) The Griffith Actresses – By Anthony Slide – 1973 (Blanche Sweet, Kate Bruce, Lillian Gish) The Griffith Studio Family Is Breaking Up (Motion Picture Classic – 1920) The Hollywood Hallucination – by Parker Tyler (© 1944 – 1970) The Hollywood Professionals – HENRY KING (by Clive Denton – 1974) The Hollywood Studios – By Ethan Mordden (1988) The House Built Upon Sand – Filmed in The Gish Home (J.C. Jessen – 1916) The House Built Upon Sand 1916/ 1917 THE HUNCHBACK – Reel Life – April 11, 1914 The Lady and the Mouse (1913) The Lily and The Rose (1915) The Lily and The Rose – Reviewed by Neil G. Caward (Motography 1915) The Lily Maid From Ohio – F. J. Smith – Motion Picture (1921) The Lily of “Hearts of the World” – By Martha Groves McKelvie (Motion Picture Magazine – August, 1918) The Love Boat – TV Series (1977–1987) The MGM Girls Behind The Velvet Courtain – 1983 The Mona Lisa of The Movies – By Delight Evans (Screenland – June 1924) THE MOTHERING HEART (American Biograph, 1913) The Movies in the Age of Innocence – By Edward Wagenknecht (1962) I The Movies in The Age of Innocence – By Edward Wagenknecht (1962) II THE MUSKETEERS OF PIG ALLEY (American Biograph, 1912) The New York Herald, Sunday December 19, 1920 (Way Down East) The Night of the Hunter (1955) The Parade’s Gone By … Kevin Brownlow – 1968 The Paradoxical Ronald Colman – By Helen Klumph (Picture Play Magazine – 1926) The Real Lillian Gish Vs. The Imaginary – By Julian Johnson (Photoplay 1918) The Real Sirens of the Screen – By Agnes Smith (Photoplay September, 1926) The Real Story of “Intolerance” – By Henry Stephen Gordon (Photoplay Nov. 1916 Vol. X) The Scarlet Letter (1926) The Scarlet Letter – By Nathaniel Hawthorne (Screenland – May 1926) The Screen’s Foremost Artist – Motion Picture News (1927) The Serious Side of the Women of the Screen – Filmplay July 1922 THE SILENT SCREEN – Richard Dyer MacCann The Sisters – 1914 The Sound and the Fury (1955) The Spectator (1999) – Studs Terkel The Story of “La Boheme” 1926 THE SWAN – By Edwin and Eliza Shallert (Picture Play 1930) The Unforgiven (1960) The Unknown Hollywood I Know … When Lillian Gish was a real vamp … By Katherine Albert (Photoplay 1932) The Whales of August (1987) The White Sister (1923) The White Sister (Motion Picture Classic – 1923) – Laurence Reid Review The White Sister in A Bright Red Coat – 1923 The Wind (1928) – Nov 27 USA The Wind, beautiful in its sheer ferocity. The Winnipeg Tribune – Cavalcade of The Screen (By Erskine Johnson – 1943) THE WOMAN WHO WAITS (Paramount and Artcraft Press Book May,1919) Theater’s Loyal Star Lillian Gish (New York Times – June 11, 1966) Theatre: Stage to Screen to Television – By William Torbert Leonard – London 1981 Theatre: Stage to Screen to Television – By William Torbert Leonard – London 1981 (All The Way Home) Then and Now – Lillian Gish – By Seymour Peck (The New York Times 1960) Theresa Neumann’s Stigmata They Are Not What They Seem – By Gladys Hall (Motion Picture Magazine – 1926) They Say He’s a Genius – By Sheilah Abraham (1943) Those Gish Girls, EACH IS MORE ALLURING Than the Other (1919) Through The Looking Glass – Selma G. Lanes (2004) TOP Man (1943) Tribute to Gish telecast – April 17, 1984 True Heart Susie (1919) True Heart Susie Advertising Campaign – Paramount and Artcraft Press Books (May 1919) Twinkle, Twinkle, Little Star – by Dick Moore (1984) U.S. Stamp Will Honor Film Genius – By A. H. Weiler (The New York Times – 1975) Unbreakable Blossom – By Richard Schickel (The New York Times – March 4, 2001) Vanity Fair presents Lillian Gish (1919 – 1983 Pictorial) Warning Shot (1967) Was Mrs. Belmont “up-stage” in Way Down East? (Photoplay September 1920) Way Down East (September 3, 1920 – USA) WAY DOWN EAST (Griffith/United Artists, 1920) Selected Film Criticism Way Down East – Richard Brody (The New Yorker) Way Down East, a “b’gosh” Drama – By Peter Milne (Picture Play Magazine – 1920) We Interview the Two Orphans – Gladys Hall /Adele Whitely Fletcher We’re Surprised, Lillian! – MOTOGRAPHY August 19, 1916. Weeps at Own Play – 1919 (Los Angeles Herald) What Happened to Lillian Gish? By Frederick L. Collins – June 1933 What I Demand of Movie Stars – By David W. Griffith (Motion Picture Classic 1916) What Love Means to Me – By Lillian Gish (Pictures and Picturegoer – October 1924) What Makes Them Cry – By Frederick James Smith (PHOTOPLAY 1923) When England Woke (The Great Love) – Picture Play Magazine – Sep. 1918 When it comes to versatility, Price is right By BOB THOMAS – 1988 When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) Where She Danced – By Elizabeth Kendall – 1979 While Cutting Annie Laurie … (Photoplay January 1927) Why Are We Glad to Get Back Home – Motion Picture Magazine 1924 Will the Churches Defeat Censorship? By Frances Rule (Picture Play Magazine 1926) William Powell – To the Rescue of the Villain (Picture Play Magazine – May, 1925) Women Filmmakers & Their Films (St. James Press 1998) WOMEN IN MOTION: Dance, Gesture and Spectacle in Film, 1900-1935 – by Elizabeth Ann Coffman (1995) Women on the Hollywood Screen – By Frank Manchel (1977) Would I Do It Over Again? – Lillian Gish said … Photoplay June 1922 You And Your Hand – By CHEIRO (1932 GB)- The Hand of Lillian Gish Young Boswell Interviews Lillian Gish (New York Tribune, 1922)
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