“A House Built on Sand” The Shadow Stage – Julian Johnson 1917 “A Romance Of Happy Valley” – Wid’s Daily 1919 “An Innocent Magdalene” MOTOGRAPHY June 17, 1916 “Birth of a Nation” Breaks All Records – (Photoplay, July 1924) “Broken Blossoms” – Wid’s Daily – 1919 “Daphne and the Pirate” Santa Cruz Evening News – 1916 “Diane of the Follies” by Thomas C. Kennedy (Motography – September 30, 1916) “Romola” (Moving Picture World – 1924) “The Angel of Contention” (THE MOVING PICTURE WORLD July 1914) “The Greatest Thing In Life” – Wid’s Daily (1919) “The Greatest Thing In Life” advertising campaign (Paramount and Artcraft Press Books – Dec 1918) “The Rebellion of Kitty Belle.” (THE MOVING PICTURE WORLD – July, 1914) “The White Sister”—Inspiration – Pros and Cons “True Heart Susie” – Wid’s Daily – Thursday, June 5, 1919 “WAY DOWN EAST” – Wid’s Daily – 1920 “When we said Lillian is cutting “Romola,” we meant it” (Screenland – 1924) ”Way Down East”- Camera (1920) A New Hero of the Films—Ronald Colman (Vanity Fair 1927) A Pictorial History of the Silent Screen – By Daniel Blum 1953 A Timely Interception (1913) Biograph A Tribute To “The Birth Of A Nation” – By Rupert Hughes (United Artists Pressbook, 1915) Advertising Uncle Vanya … Afra Antics – 1940 (program) After ‘Life With Father’ Lillian Gish Owns the (Chicago) Town – By Lloyd Lewis (New York Times, 1941) Amon Carter Museum of American Art; Fort Worth TX An Actor’s Life for Me! And Right After This Message, Miss Lillian Gish – By Jon Krampner (The New York Times – 1999) Annie Laurie – By C.S. Sewell (MOVING PICTURE WORLD May 21, 1927) Another Great Picture, “The Great Love” “A Romance of Happy Valley”– by Frederick James Smith (Motion Picture Classic – Vol VIII, April 1919) “Hearts of the World” – By Mae Tinee (Chicago Tribune – 1918) “La Boheme”—M-G-M Exquisite Masterpiece Edited by C.S. Sewell (Moving Picture World – 1926) “ONE ROMANTIC NIGHT” Albert Bigelow Paine – 1932 “Orphans of the Storm” – Chicago Tribune (1922) “ROMOLA” by Albert Bigelow Paine – 1932 “The Enemy,” Starring Lillian Gish in Her First Modern Role – San Pedro California 1928 “The Greatest Question” – By Frederick James Smith (Motion Picture Classic – February 1920) “The Greatest Thing in Life” Paramount and Artcraft Press Books – 1919 Beinecke Library BONNIE ANNIE LAURIE (Motion Picture Art Portfolio 1927) Book World to Take Look at ‘Lillian Gish’ (Chicago Tribune – 1969) Boost Shop to Aid War Sufferers (Chicago Tribune 1940) Broken Blossoms – By Peter Milne (Picture Play Magazine – 1919) Broken Blossoms – Exhibitors Campaign Sheet (Released through United Artists) City Bestows Accolade On a Cheerful Miss Gish (The New York Times – Oct. 18, 1973) Conversation With Lillian Gish – Sight and Sound – BFI – England, January 1958 Critics Praise Lillian Gish in “The White Sister” – Moving Picture World – 1924 D.W. Griffith has revived “The Two Orphans” (Photoplay November 1921) DIANE OF THE FOLLIES – 1916 (reviews) Dick Barthelmess was married … for real, not just in Way Down East (Picture Play Magazine 1920) Dorothy and Lillian Gish 1951 – Look Magazine (Pictorial) Duel in the Sun – Motion Picture Herald – January 2nd 1947 Editorial Chats with Exhibitors on David W. Griffith’s “True Heart Susie” European Postcards, Miss Lillian Gish Exploitation on “Broken Blossoms” Is Explained in Detail (The Moving Picture World – December 13, 1919) Filming a Richard Harding Davis Story (Captain Macklin) By Bennie Lubinville Zeidman (The Photoplayers Weekly – April 1915) First New York Showing of “Broken Blossoms” Is a Great Artistic Triumph – By Edward Weitzel, 1919 Frohman Amusement Corporation to State Right Lillian Gish Specials (Moving Picture World, 1920) Griffith Renews Old Promises – By Kenneth Macgowan (Motion Picture Classic – 1919) Griffith to Stage The Greatest Thing in Life’ Next Monday Evening (LAH – 1918) Hearts of the World – Fictionized version by Julian Johnson (Photoplay July 1918) His Double Life – By Norbert Lusk (Picture Play 1934)/ Molly Levin (Picture Play 1935) HOBSON’S CHOICE – By John J. O’Connor (The New York Times – Dec. 21, 1983) HOME, SWEET HOME (Reliance-Majestic/Mutual, 1914) – Selected Film Criticism How I Saw “Hearts of the World” – By Marguerite Sheridan (Picture Play Magazine 1918) In Plaid and Tartan By Norbert Lusk (Picture Play Magazine, 1927) Interviewing Miss Gish … INTOLERANCE (Griffith Wark, 1916) Selected Film Criticism KENNEDY CENTER HONORS 5 IN ARTS – By Irvin Molotsky, Special To the New York Times, 1982 La Boheme (by George T. Pardy) Motion Picture News, 1926 La Marquise – by Noel Coward, starring Lillian Gish Lillian Gish (Picture Show Annual – 1929) Lillian Gish (Triangle) Pictorial 1917 Lillian Gish – The Movies, Mr. Griffith, and Me (Review by ARTHUR MAYER, New York Times, 1969) LILLIAN GISH – Vanity Fair – December 1932 (George Jean Nathan) Lillian Gish comes to Saddleback College (Lariat – 1978) Lillian Gish in “The White Sister” – The Film Daily – September 9, 1923 Lillian Gish in a Hurricane (Pictorial) 1927 (Picture-Play August 1927) Lillian Gish in Chicago Tribune Illustrated Notes Lillian Gish in Philip Barry’s ‘The Joyous Season’ By Brooks Atkinson (The New York Times – 1934) Lillian Gish in Romola (Program) Lillian Gish in the Theatre Guild’s Production of ‘The Curious Savage’ – By Brooks Atkinson (The New York Times – Oct. 25, 1950) Lillian Gish in True Heart Susie (1919) – by James Naremore (In Focus: Routledge Film Readers – edited by Pamela Robertson Wojcik – 2004) Lillian Gish is Annie Laurie (Chicago Tribune 1927) Lillian Gish Marks Time – By Aileen St. John Brennon (Picture Play Magazine – September 1928) Lillian Gish Plans Double Exposure (The New York Times – 1969) Lillian Gish Ready to start on a Talkie – By Rosalind Shaffer (Chicago Tribune Press Service) 1929 Lillian Gish returns as “the mother” in “The Swan” (1948) Lillian Gish Shines in ‘All the Way Home,’ as She and Sister Have in Many Things – By Brooks Atkinson (New York Times, 1960) Lillian Gish Will Play Nurse in “Romeo” – By Sam Zolotow (The New York Times – 1965) Lillian Gish’s Summer Frocks – Photoplay June 1922 LILLIAN GISH at Auditorium in SEX PLAY – TUESDAY Lillian Gish is Star in Fine Arts “Diane of the Follies” at Mission (1916) LizBits – Nine Pine Street – By Neilson Caplain (October, 2002) Maxwell Anderson’s ‘The Star Wagon’ – By Brooks Atkinson (The New York Times, Sep 30, 1937) Metro-Goldwyn Pictures Presentation Book (Australia) 1924 Modern Women: Women Artists at the Museum of Modern Art – Edited by CORNELIA BUTLER and ALEXANDRA SCHWARTZ Motion Picture Classic 1926 – Letters to “King Dodo” Newspaper Opinions on New Pictures – “Annie Laurie” (Motion Picture News – June, 1927) Notes on People; The Untiring Lillian Gish, 84 – By David Bird and Albin Krebs (The New York Times 1981) ONE ROMANTIC NIGHT – Kinema Guide – January 12th to 18th, 1931 (London) ORPHANS OF THE STORM—D. W. Griffith – Photoplay Magazine – March 1922 Pathex Motion Pictures – 1926 Photoplay Magazine ‘33 -Real Critics, the Fans … Playgoers Await ‘Star-Wagon’ and Musical Shows – By Charles Collins (Chicago Tribune – 1938) Posters, Lobby Cards, Promos, Press PRESS STORIES “A Romance of Happy Valley” Romola (Motion Picture Magazine May 1925) Salaam (The Scarlet Letter) – By Norbert Lusk (Picture Play Magazine – Nov. 1926) STAR GLITTERS – 1980 State Rights Sale for “Judith of Bethulia (Motion Picture News – 1917) Tears and Cheers for Two Orphans at the Armstrong (The Rock Island Argus – 1922) Tenacity and Determination are Indicated in the Face of Lillian Gish (The Picture Show – 1920) Tenth Anniversary (Exhibitors Herald – June 27, 1925) The Battle of Elderbush Gulch – MOTOGRAPHY July 31, 1915 The Celluloid Critic – Broken Blossoms (Motion Picture Classic – August 1919) The Children Pay – Review by Julian Johnson – 1917 (Photoplay) The choice for viewing tonight is ‘Hobson’s Choice’ – Bill Hayden (1983) The Enemy (MOVING PICTURE WORLD December 31, 1927) The Enemy (Reviewed by Laurence Reid – Motion Picture News 1927) The Expressions Of Lillian Gish (Picture Show, 1920) The first reviews of “The Birth of a Nation” 1915 THE GREAT LOVE (Paramount-Artcraft, 1918) Selected Film Criticism The Griffith Actresses – By Anthony Slide – 1973 (Blanche Sweet, Kate Bruce, Lillian Gish) The Griffith Studio Family Is Breaking Up (Motion Picture Classic – 1920) The House Built Upon Sand – Filmed in The Gish Home (J.C. Jessen – 1916) The Lily and The Rose – Reviewed by Neil G. Caward (Motography 1915) The Lily – Maid of the Cinema (Motion Picture Magazine, October 1919) The M-G-M Story – By John Douglas Eames (1975) The Movies, Mr. Griffith And Me (reviewed by Bessie Love) Sight and Sound 1969 The Real Lillian Gish Vs. The Imaginary – By Julian Johnson (Photoplay 1918) The Screen’s Foremost Artist – Motion Picture News (1927) THE SWAN – By Edwin and Eliza Shallert (Picture Play 1930) The White Sister (Motion Picture Classic – 1923) – Laurence Reid Review THE WOMAN WHO WAITS (Paramount and Artcraft Press Book May,1919) Theater’s Loyal Star Lillian Gish (New York Times – June 11, 1966) True Heart Susie Advertising Campaign – Paramount and Artcraft Press Books (May 1919) Unbreakable Blossom – By Richard Schickel (The New York Times – March 4, 2001) Vanity Fair presents Lillian Gish (1919 – 1983 Pictorial) Will the Churches Defeat Censorship? By Frances Rule (Picture Play Magazine 1926) Would I Do It Over Again? – Lillian Gish said … Photoplay June 1922 Writers for ‘Anya’ Accepted Lillian Gish’s Voice – By Louis Calta (The New York Times Nov. 9, 1965) Young Boswell Interviews Lillian Gish (New York Tribune, 1922)
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