Lillian Gish Adverts

  • “A House Built on Sand” The Shadow Stage – Julian Johnson 1917
  • “A Romance Of Happy Valley” – Wid’s Daily 1919
  • “An Innocent Magdalene” MOTOGRAPHY June 17, 1916
  • “Birth of a Nation” Breaks All Records – (Photoplay, July 1924)
  • “Daphne and the Pirate” Santa Cruz Evening News – 1916
  • “Diane of the Follies” by Thomas C. Kennedy (Motography – September 30, 1916)
  • “Romola” (Moving Picture World – 1924)
  • “The Angel of Contention” (THE MOVING PICTURE WORLD July 1914)
  • “The Greatest Thing In Life” advertising campaign (Paramount and Artcraft Press Books – Dec 1918)
  • “The Rebellion of Kitty Belle.” (THE MOVING PICTURE WORLD – July, 1914)
  • “The White Sister”—Inspiration – Pros and Cons
  • “When we said Lillian is cutting “Romola,” we meant it” (Screenland – 1924)
  • ”Way Down East”- Camera (1920)
  • A New Hero of the Films—Ronald Colman (Vanity Fair 1927)
  • A Pictorial History of the Silent Screen – By Daniel Blum 1953
  • A Timely Interception (1913) Biograph
  • A Tribute To “The Birth Of A Nation” – By Rupert  Hughes (United Artists Pressbook, 1915)
  • Advertising Uncle Vanya …
  • After ‘Life With Father’ Lillian Gish Owns the (Chicago) Town – By Lloyd Lewis (New York Times, 1941)
  • Amon Carter Museum of American Art; Fort Worth TX
  • An Actor’s Life for Me!
  • And Right After This Message, Miss Lillian Gish – By Jon Krampner (The New York Times – 1999)
  • Annie Laurie – By C.S. Sewell (MOVING PICTURE WORLD May 21, 1927)
  • Another Great Picture, “The Great Love”
  • “A Romance of Happy Valley”– by Frederick James Smith (Motion Picture Classic – Vol VIII, April 1919)
  • “Hearts of the World” – By Mae Tinee (Chicago Tribune – 1918)
  • “La Boheme”—M-G-M Exquisite Masterpiece Edited by C.S. Sewell (Moving Picture World – 1926)
  • “ONE ROMANTIC NIGHT” Albert Bigelow Paine – 1932
  • “ROMOLA” by Albert Bigelow Paine – 1932
  • “The Enemy,” Starring Lillian Gish in Her First Modern Role – San Pedro California 1928
  • “The Greatest Question” – By Frederick James Smith (Motion Picture Classic – February 1920)
  • “The Greatest Thing in Life” Paramount and Artcraft Press Books – 1919
  • Beinecke Library
  • BONNIE ANNIE LAURIE (Motion Picture Art Portfolio 1927)
  • Book World to Take Look at ‘Lillian Gish’ (Chicago Tribune – 1969)
  • Boost Shop to Aid War Sufferers (Chicago Tribune 1940)
  • Broken Blossoms – By Peter Milne (Picture Play Magazine – 1919)
  • Broken Blossoms – Exhibitors Campaign Sheet (Released through United Artists)
  • City Bestows Accolade On a Cheerful Miss Gish (The New York Times – Oct. 18, 1973)
  • Conversation With Lillian Gish – Sight and Sound – BFI – England, January 1958
  • Critics Praise Lillian Gish in “The White Sister” – Moving Picture World – 1924
  • D.W. Griffith has revived “The Two Orphans” (Photoplay November 1921)
  • DIANE OF THE FOLLIES – 1916 (reviews)
  • Dick Barthelmess was married … for real, not just in Way Down East (Picture Play Magazine 1920)
  • Dorothy and Lillian Gish 1951 – Look Magazine (Pictorial)
  • Duel in the Sun – Motion Picture Herald – January 2nd 1947
  • Editorial Chats with Exhibitors on David W. Griffith’s “True Heart Susie”
  • European Postcards, Miss Lillian Gish
  • Exploitation on “Broken Blossoms” Is Explained in Detail (The Moving Picture World – December 13, 1919)
  • Filming a Richard Harding Davis Story (Captain Macklin) By Bennie Lubinville Zeidman (The Photoplayers Weekly – April 1915)
  • First New York Showing of “Broken Blossoms” Is a Great Artistic Triumph – By Edward Weitzel, 1919
  • Frohman Amusement Corporation to State Right Lillian Gish Specials (Moving Picture World, 1920)
  • Griffith Renews Old Promises – By Kenneth Macgowan (Motion Picture Classic – 1919)
  • Griffith to Stage The Greatest Thing in Life’ Next Monday Evening (LAH – 1918)
  • Hearts of the World – Fictionized version by Julian Johnson (Photoplay July 1918)
  • His Double Life – By Norbert Lusk (Picture Play 1934)/ Molly Levin (Picture Play 1935)
  • HOBSON’S CHOICE – By John J. O’Connor (The New York Times – Dec. 21, 1983)
  • HOME, SWEET HOME (Reliance-Majestic/Mutual, 1914) – Selected Film Criticism
  • How I Saw “Hearts of the World” – By Marguerite Sheridan (Picture Play Magazine 1918)
  • In Plaid and Tartan By Norbert Lusk (Picture Play Magazine, 1927)
  • Interviewing Miss Gish …
  • INTOLERANCE (Griffith Wark, 1916) Selected Film Criticism
  • KENNEDY CENTER HONORS 5 IN ARTS – By Irvin Molotsky, Special To the New York Times, 1982
  • La Boheme (by George T. Pardy) Motion Picture News, 1926
  • La Marquise – by Noel Coward, starring Lillian Gish
  • Lillian Gish (Picture Show Annual – 1929)
  • Lillian Gish (Triangle) Pictorial 1917
  • Lillian Gish – The Movies, Mr. Griffith, and Me (Review by ARTHUR MAYER, New York Times, 1969)
  • LILLIAN GISH – Vanity Fair – December 1932 (George Jean Nathan)
  • Lillian Gish comes to Saddleback College (Lariat – 1978)
  • Lillian Gish in “The White Sister” – The Film Daily – September 9, 1923
  • Lillian Gish in a Hurricane (Pictorial) 1927 (Picture-Play August 1927)
  • Lillian Gish in Chicago Tribune Illustrated Notes
  • Lillian Gish in Philip Barry’s ‘The Joyous Season’ By Brooks Atkinson (The New York Times – 1934)
  • Lillian Gish in the Theatre Guild’s Production of ‘The Curious Savage’ – By Brooks Atkinson (The New York Times – Oct. 25, 1950)
  • Lillian Gish in True Heart Susie (1919) – by James Naremore (In Focus: Routledge Film Readers – edited by Pamela Robertson Wojcik – 2004)
  • Lillian Gish is Annie Laurie (Chicago Tribune 1927)
  • Lillian Gish Marks Time – By Aileen St. John Brennon (Picture Play Magazine – September 1928)
  • Lillian Gish Plans Double Exposure (The New York Times – 1969)
  • Lillian Gish Ready to start on a Talkie – By Rosalind Shaffer (Chicago Tribune Press Service) 1929
  • Lillian Gish returns as “the mother” in “The Swan” (1948)
  • Lillian Gish Shines in ‘All the Way Home,’ as She and Sister Have in Many Things – By Brooks Atkinson (New York Times, 1960)
  • Lillian Gish Will Play Nurse in “Romeo” – By Sam Zolotow (The New York Times – 1965)
  • Lillian Gish’s Summer Frocks – Photoplay June 1922
  • LILLIAN GISH at Auditorium in SEX PLAY – TUESDAY
  • Lillian Gish is Star in Fine Arts “Diane of the Follies” at Mission (1916)
  • LizBits – Nine Pine Street – By Neilson Caplain (October, 2002)
  • Maxwell Anderson’s ‘The Star Wagon’ – By Brooks Atkinson (The New York Times, Sep 30, 1937)
  • Modern Women: Women Artists at the Museum of Modern Art – Edited by CORNELIA BUTLER and ALEXANDRA SCHWARTZ
  • Motion Picture Classic 1926 – Letters to “King Dodo”
  • Newspaper Opinions on New Pictures – “Annie Laurie” (Motion Picture News – June, 1927)
  • Notes on People; The Untiring Lillian Gish, 84 – By David Bird and Albin Krebs (The New York Times 1981)
  • ONE ROMANTIC NIGHT – Kinema Guide – January 12th to 18th, 1931 (London)
  • ORPHANS OF THE STORM—D. W. Griffith – Photoplay Magazine – March 1922
  • Photoplay Magazine ‘33 -Real Critics, the Fans …
  • Playgoers Await ‘Star-Wagon’ and Musical Shows – By Charles Collins (Chicago Tribune – 1938)
  • Posters, Lobby Cards, Promos, Press
  • PRESS STORIES “A Romance of Happy Valley”
  • Romola (Motion Picture Magazine May 1925)
  • Salaam (The Scarlet Letter) – By Norbert Lusk (Picture Play Magazine – Nov. 1926)
  • STAR GLITTERS – 1980
  • State Rights Sale for “Judith of Bethulia (Motion Picture News – 1917)
  • Tears and Cheers for Two Orphans at the Armstrong (The Rock Island Argus – 1922)
  • Tenacity and Determination are Indicated in the Face of Lillian Gish (The Picture Show – 1920)
  • Tenth Anniversary (Exhibitors Herald – June 27, 1925)
  • The Battle of Elderbush Gulch – MOTOGRAPHY July 31, 1915
  • The Celluloid Critic – Broken Blossoms (Motion Picture Classic – August 1919)
  • The Children Pay – Review by Julian Johnson – 1917 (Photoplay)
  • The choice for viewing tonight is ‘Hobson’s Choice’ – Bill Hayden (1983)
  • The Enemy (MOVING PICTURE WORLD December 31, 1927)
  • The Enemy (Reviewed by Laurence Reid – Motion Picture News 1927)
  • The Expressions Of Lillian Gish (Picture Show, 1920)
  • THE GREAT LOVE (Paramount-Artcraft, 1918) Selected Film Criticism
  • The Griffith Actresses – By Anthony Slide – 1973 (Blanche Sweet, Kate Bruce, Lillian Gish)
  • The Griffith Studio Family Is Breaking Up (Motion Picture Classic – 1920)
  • The House Built Upon Sand – Filmed in The Gish Home (J.C. Jessen – 1916)
  • The Lily and The Rose – Reviewed by Neil G. Caward (Motography 1915)
  • The Lily – Maid of the Cinema (Motion Picture Magazine, October 1919)
  • The Movies, Mr. Griffith And Me (reviewed by Bessie Love) Sight and Sound 1969
  • The Real Lillian Gish Vs. The Imaginary – By Julian Johnson (Photoplay 1918)
  • The Screen’s Foremost Artist – Motion Picture News (1927)
  • THE SWAN – By Edwin and Eliza Shallert (Picture Play 1930)
  • The White Sister (Motion Picture Classic – 1923) – Laurence Reid Review
  • THE WOMAN WHO WAITS (Paramount and Artcraft Press Book May,1919)
  • Theater’s Loyal Star Lillian Gish (New York Times – June 11, 1966)
  • True Heart Susie Advertising Campaign – Paramount and Artcraft Press Books (May 1919)
  • Unbreakable Blossom – By Richard Schickel (The New York Times – March 4, 2001)
  • Vanity Fair presents Lillian Gish (1919 – 1983 Pictorial)
  • Will the Churches Defeat Censorship? By Frances Rule (Picture Play Magazine 1926)
  • Would I Do It Over Again? – Lillian Gish said … Photoplay June 1922
  • Writers for ‘Anya’ Accepted Lillian Gish’s Voice – By Louis Calta (The New York Times Nov. 9, 1965)
  • Young Boswell Interviews Lillian Gish (New York Tribune, 1922)