“A House Built on Sand” The Shadow Stage – Julian Johnson 1917 “A House Built Upon Sand” Reviewed By Peter Milne – 1917 “A House Built Upon the Sand” MOTOGRAPHY, Jan. 13, 1917 “A Romance Of Happy Valley” – Wid’s Daily 1919 “An Innocent Magdalene” MOTOGRAPHY June 17, 1916 “Birth of a Nation” Breaks All Records – (Photoplay, July 1924) “Broken Blossoms” – Wid’s Daily – 1919 “BROKEN BLOSSOMS” FULL OF BEAUTY By Edward Weitzel (May 31, 1919 THE MOVING PICTURE WORLD) “Daphne and the Pirate” Santa Cruz Evening News – 1916 “Diane of the Follies” by Thomas C. Kennedy (Motography – September 30, 1916) “Do They Criticize Me?’ – By Madeline Glass (Picture Play Magazine – November 1926) “Intolerance” Reviewed by Thomas C. Kennedy (1916 – Motography) “Lillian Gish’s Little Sister” – Pictures And The Picturegoer – June 19, 1915 “Love’s struggle through the Ages” – There was a curse upon it. (Photoplay – 1925) “Max Reinhardt” (“Stigmata”; The Film that was never made) “Romola” (Moving Picture World – 1924) “Sold for Marriage” – MOTOGRAPHY – April 15, 1916 “The Angel of Contention” (THE MOVING PICTURE WORLD July 1914) “The Children Pay” Reviewed by Thomas C. Kennedy (MOTOGRAPHY – Chicago, November 25, 1916) “The Enemy” Pros and Cons (Chicago Tribune 1928) “THE GREAT LOVE” (D. W. Griffith) 1918 “The Greatest Thing In Life” advertising campaign (Paramount and Artcraft Press Books – Dec 1918) “The Rebellion of Kitty Belle.” (THE MOVING PICTURE WORLD – July, 1914) “The White Sister”—Inspiration – Pros and Cons “True Heart Susie” – Wid’s Daily – Thursday, June 5, 1919 “WAY DOWN EAST” – Wid’s Daily – 1920 “When we said Lillian is cutting “Romola,” we meant it” (Screenland – 1924) ”Way Down East”- Camera (1920) ‘Miss Lillian’ – IRVING L. JAFFE (The New York Times – May 4, 1969) ‘My Dream Has Come to Life’ – By Harold C. Schonberg (The New York Times – March 30, 1978) (Ronald Colman) – A Ladies Man (Photoplay 1924) … At 90, still making movies – F. M. Winship, 1986 101 Unique Photographs – Lillian Gish Pictorial 1980 David Wark Griffith Awards (Films in Review – March 1981) 70 Years of Film History (1976) – by Richard Lawton A Book and a Play are keeping Lillian Gish for the Public Eye – By Karen Hollis (Picture Play 1933) A close-up of that illusive young star, Lillian Gish By Delight Evans (Photoplay 1921) A Doughty LILLIAN GISH takes a fresh fling at comedy A House Built upon Sand – By Anthony Slide – 1980 A Lady With Class – By Liz Smith (Chicago Tribune – 1969) A Life In Photography – by Edward Steichen *1984 A Life on Stage and Screen – by STUART ODERMAN A Limehouse Rose – Current Opinion, July 1919 A New Hero of the Films—Ronald Colman (Vanity Fair 1927) A Pictorial History of the AMERICAN THEATRE 1860-1980 (by DANIEL BLUM – 1981) A Pictorial History of the Silent Screen – By Daniel Blum 1953 A Picture That Was No Picnic – Motion Picture Magazine, 1927 A Short History of the Movies (Broken Blossoms) – Gerald Mast 1971 A Short History of the Movies (Home Sweet Home) – Gerald Mast 1971 A Short History of the Movies (III) By Gerald Mast – University of Chicago (1971) A Short History of the Movies (INTOLERANCE) – Gerald Mast 1971 A Short History of the Movies (The Birth of a Nation) – Gerald Mast 1971 A Tale of Two Gishes – The Picturegoer Magazine (May, 1922) A Timely Interception (1913) Biograph A Tribute To “The Birth Of A Nation” – By Rupert Hughes (United Artists Pressbook, 1915) A White Star – By Richard Dyer (Sight and Sound – Aug. 1993 BFI – GB) Adventures of Huckleberry Finn (1985 – 86) ADVENTURES WITH D. W. GRIFFITH – By Karl Brown (1973) Advertising Uncle Vanya … Afra Antics – 1940 (program) After ‘Life With Father’ Lillian Gish Owns the (Chicago) Town – By Lloyd Lewis (New York Times, 1941) After “Way Down East,” Lillian signed with Sherrill (Photoplay – September 1920) Alan Alda is busy promoting ‘Sweet Liberty’ – By Bob Thomas (1986) Alan Alda’s ‘SWEET LIBERTY’ By Vincent Canby, 1986 (The NY Times) Alice in Wonderland – 1982 (Pictorial) Alternate Oscars – By Danny Peary – 1993 Alternate Oscars – By Danny Peary – 1993 (Why not Gish?) Alternate Oscars – By Danny Peary – 1993 (Why not Night of the Hunter?) America’s First Women Directors – Anthony Slide – Boston /London 1996 American film acting : the Stanislavski heritage – by Richard A. Blum (1984) American Girls use too much rouge – Movie Weekly American Silent Film – By William K. Everson (1978) American Silent Film – European Influences (by William K. Everson – 1978) American Women in the Performing Acts (2002) by Liz Sonneborn Amon Carter Museum of American Art; Fort Worth TX An Evening Entertainment – Lillian Gish – By Richard Koszarski (1990) AN EVENING’S ENTERTAINMENT: Drama and Melodrama – By Richard Koszarski 1990 An Illustrious Sister Act – The art of Lillian Gish -By Malcolm H. Oettinger (Picture Play Magazine 1925) An Indian’s Loyalty – MOTOGRAPHY – October 7, 1916 An Innocent Magdalene – By Kitty Kelly (Chicago Tribune – June 8, 1916) An Interview with LILLIAN GISH – MAGILL’S CINEMA ANNUAL 1983 An Intimate Story of The Gish (Movie Weekly 1922 – March 18) An intimate story of the Gish – Part III, Movie Weekly, April 1st, 1922 An Intimate Story of the Gish PART II – (Movie Weekly) March 25 1922 And Right After This Message, Miss Lillian Gish – By Jon Krampner (The New York Times – 1999) Anita Loos Rediscovered – by Carl Beauchamp and Mary Anita Loos (2003) Annie Laurie – By C.S. Sewell (MOVING PICTURE WORLD May 21, 1927) Another Great Picture, “The Great Love” ARCHITECTURAL DIGEST VISITS: Lillian Gish (1979) Are the Movie Folk Morons? – By Gladys Hall (Motion Picture Magazine – April 1923) Are the Stars Doomed? (Photoplay Magazine) ART DECO FASHION – by Suzanne Lussier (2003) As Lillian Gish Views Art – Written By Lillian Gish (The New York Times – Sunday July 1st, 1928) At 88, ‘Iron Butterfly’ spirit indomitable (1984) AT THIS THEATRE – Louis Botto (2002) Attagirl, Lillian. The Gang’s with you! Austria and the War – New York Times (1927) ‘The Childrens Pay’ – Morning Press, Cali. 1916 ‘Way Down East’ Looks Real Only Because It Is Real (New York Tribune, Sep. 1920) ‘White Sister’ Photoplay of Rare Appeal – By Mae Tinee (Chicago Tribune – 1923) “A Romance of Happy Valley”– by Frederick James Smith (Motion Picture Classic – Vol VIII, April 1919) “Against War” – Executives Club To Hear A Talk By Lillian Gish (Chicago Tribune – 1941) “Broken Blossoms” – By Mae Tinee (Chicago Tribune – 1919) “Hearts of the World” – By Mae Tinee (Chicago Tribune – 1918) “La Boheme” – By Mae Tinee (Chicago Tribune – July 07, 1926) “La Boheme” 1926 — Entire Film — “La Boheme”—M-G-M Exquisite Masterpiece Edited by C.S. Sewell (Moving Picture World – 1926) “One Romantic Night” (The Swan) Entire Film “ONE ROMANTIC NIGHT” Albert Bigelow Paine – 1932 “Orphans of the Storm” – Chicago Tribune (1922) “Over There” with the Nobility and an All Star Cast (“The Great Love”) – By Mae Tinee – Chicago Tribune – 1918 “ROMOLA” by Albert Bigelow Paine – 1932 “Sold for Marriage” 1916 — Entire Film — “Sold For Marriage” Evening Ledger – Philadelphia, 1916 “Star – Wagon” (Chicago Tribune – Wednesday April 13, 1938) “Star Wagon” Dreams About Life and Time – By Charles Collins (Chicago Tribune 1938) “The Enemy,” Starring Lillian Gish in Her First Modern Role – San Pedro California 1928 “The Fatal Marriage” (Enoch Arden) – Chicago Tribune – 1922 “The Greatest Question” – By Frederick James Smith (Motion Picture Classic – February 1920) “The Greatest Thing in Life” Paramount and Artcraft Press Books – 1919 “The White Sister” — Inspiration – Entire film Baby Camille of Lillian Gish Arouses Critic – By Burns Mantle (Chicago Tribune – 1932) Backward Glances – John Gielgud 1989 (Distinguished Company 1972) Before and After Taking – Motion Picture Classic (Aug 1919) Billy Bitzer – HIS STORY (1973) Black & White & Red – By David Denby (The New Yorker) 2012 Blackmail, Blacklist, and Injustice for all … Body in The Barn (1964) Alfred Hitchcock BONNIE ANNIE LAURIE (Motion Picture Art Portfolio 1927) Book World to Take Look at ‘Lillian Gish’ (Chicago Tribune – 1969) Boost Shop to Aid War Sufferers (Chicago Tribune 1940) Brief Reviews – LIFE AND LILLIAN GISH (The New York Times – October 30, 1932) Bringing ‘Whales’ to silver screen wasn’t easy (1987) Broadway – Brooks Atkinson (Macmillan 1970) Broadway’s Best Bets (May 1930) Broken Blossoms – Across the Silversheet (Motion Picture Magazine) Broken Blossoms – By Peter Milne (Picture Play Magazine – 1919) Broken Blossoms – Exhibitors Campaign Sheet (Released through United Artists) Broken Blossoms – Iris Barry (1965) Broken Blossoms 1919 (Classics of The Silent Screen – By Franklin Joe – 1959) Broken Blossoms Wins Praise of Chicago Critic Camille – 1932 (A Life on Stage and Screen By Stuart Oderman) Cape Coat Continues to Appeal to Slender Figure (1927) Captain Billy’s Whiz Bang – 1921 (Way Down East) Celebrity cookbook – Lillian Gish’s recipe for gnocchi Verdi (1978) Charles Laughton – An Intimate Biography (Charles Higham – 1976) Chats with D.W. Griffith, Lillian Gish – By W. Adolphe Roberts – Motion Picture Magazine (1925) Chicago – Colored Dog (Chicago Tribune – 1940) Chief Sunrise, John McGraw, and Me (Timothy Tocher – 2004) Cinematernity – by Lucy Fischer (1996) City Bestows Accolade On a Cheerful Miss Gish (The New York Times – Oct. 18, 1973) Clansman’s Realism, Inspires Awe – Los Angeles Herald 1915 Classics of the silent screen by Franklin Joe (1959) – “The Birth of a Nation” Code of the Screen – Photoplay – October 1926 Colorado Historical Tour Guide – D. Ray Wilson – 1990 Commandos Strike at Dawn – 1942 (Affron/ Oderman) Confidences Off-Screen “What a World We Live In” 1925 Conversation With Lillian Gish – Sight and Sound – BFI – England, January 1958 Costume, THE PERFORMING PARTNER (1990) Critics Praise Lillian Gish in “The White Sister” – Moving Picture World – 1924 D. W. Griffith, Pioneer Film Producer, Dies (July 23, 1948) D.W. Griffith (1875-1948) – by William M. Drew D.W. Griffith – An American Life (By Richard Schickel – 1984) D.W. Griffith has revived “The Two Orphans” (Photoplay November 1921) D.W. Griffith Hits Rare Theme in “Broken Blossoms” (Los Angeles Herald, 1919) D.W. Griffith might be the richest man – By Frederick J. Smith (Photoplay – Dec. 1926) D.W. Griffith’s Intolerance Its Genesis and Its Vision (1986) by William M. Drew Daphne And The Pirate (Triangle Opens at the Colonial) By Kitty Kelly (Chicago Tribune – 1916) David W. Griffith, The Man and His Methods by Donald Crisp (The Picturegoer – 1921) DIANE OF THE FOLLIES – 1916 (reviews) Dick Barthelmess was married … for real, not just in Way Down East (Picture Play Magazine 1920) Die Kino-Königin – A Critical Appreciation of the First Lady of the Cinema – by George Jean Nathan (Vanity Fair 1924) Director Gish (Photoplay Vol. XVII March 1920 No.4) Don’t You Wish You Were a Gish ? (Film Flashes 1916) Dorothy and Lillian Gish 1951 – Look Magazine (Pictorial) Dorothy and Mae Tell Secrets – By Will Rex (1916) Dorothy at Home, and Others at Large – By W. Adolphe Roberts (Motion Picture Magazine – June, 1925) Dorothy Gish – By ANTHONY SLIDE – 1973 Dorothy Gish – The Girl on the Cover, By Elizabeth Borden (Photoplay 1925) Dorothy Gish, Actress, Is Dead – The New York Times – June 6, 1968 Dorothy Gish, reveals how she happened – Los Angeles Herald 1919 Dorothy Gish—Her Story By Marguerite Sheridan (Picture Play Magazine 1918) Dot Gish, Studio Star & Home Tomboy – by Edna Wright (Motion Picture Magazine – June, 1917) Doug and Mary and Others – A book by Allene Talmey (1927) Down memory lane with a legend – 1982 Drama Leaguers and ‘Old Friends’ – By Irene Powers (Chicago Tribune – 1969) Dressed : a century of Hollywood costume design – By Deborah Nadoolman Landis (2007) Duel in the Sun (1946) Duel in the Sun (1946) — Entire film — Duel in the Sun – Motion Picture Herald – January 2nd 1947 Early Women Directors – Anthony Slide (1977) Edith Head, “Miss Susie Slagle’s,” and “Warning Shot” Editorial Chats with Exhibitors on David W. Griffith’s “True Heart Susie” Empire of Dreams (The Epic Life of Cecil B. DeMille) – By Scott Eyman (2010) Engagements, Marriages and Divorces in Hollywood (Jack Foley’s Movie Digest – 1925) ENOCH ARDEN (1915) — Louis Reeves Harrison – The Moving Picture World Erte Speaks His Mind (By Annette Buroughs – PHOTOPLAY February, 1926) European Directors in America, 1922-1931 – SEASTROM European Postcards, Miss Lillian Gish Everything’s Quite Lovely in “Way Down East” – By Mae Tinee (Chicago Tribune – 1920) Exit Venus—Enter Lillian Gish (Picture Play Magazine – October 1921) Experience – A rehearsal of “Anya” (The New Yorker – November 27, 1965) Exploitation on “Broken Blossoms” Is Explained in Detail (The Moving Picture World – December 13, 1919) Famous Film Folk – Charles Donald Fox (1925) Famous Friends (1977) FIFTY FAMOUS FILMS – BRITISH FILM INSTITUTE (Broken Blossoms) FIFTY FAMOUS FILMS – BRITISH FILM INSTITUTE (Birth of a Nation) FIFTY FAMOUS FILMS – BRITISH FILM INSTITUTE (INTOLERANCE) Film Costume – Susan Perez Prichard (1981) Film Facts; “The Most Beautiful Blond” – 1914 FILM INSTITUTE SALUTES LILLIAN GISH — By John J. O’Connor (The New York Times 1984) Filming a Richard Harding Davis Story (Captain Macklin) By Bennie Lubinville Zeidman (The Photoplayers Weekly – April 1915) Filming Broken Blossoms – Billy Bitzer (His Story) 1973 Films That Made Them Famous – By May Herschel Clarke (Picture Show Annual – 1926) Final Close-Ups (Lillian Gish) – By Charles Affron – 2001 First great movie star Gish – Boston Globe, 2001 First New York Showing of “Broken Blossoms” Is a Great Artistic Triumph – By Edward Weitzel, 1919 FLASHBACK – A Brief History of Film – “The Scarlet Letter” Louis Giannetti/Scott Eyman 1986 FLASHBACK – LOUIS GIANNETTI /SCOTT EYMAN (1986) Flashing Back to Romance – By Malcolm H. Oettinger (Picture Play Magazine – November 1921) For me, Lillian Gish put BGSU on the map! Friends Tried and True (Lillian, Dorothy, Mary and Mildred) By M. Lewis Russel Frohman Amusement Corporation to State Right Lillian Gish Specials (Moving Picture World, 1920) From Public Honor to Public Disgrace: A Chronology of the Tragic Fall of D. W. Griffith’s Reputation in the United States, 1975-2019 – By William M. Drew Gish and Davis: Could the Two Work Together? – By Mike Kaplan (The New York Times – 1993) Gish and Garbo – The Executive War on Stars – By Louise Brooks (Sight and Sound – January, 1959 – London, England) Gish Sisters & Company – By Marjorie Wright (The Photoplay Journal for May, 1917) Gish sisters are an important part of film history Gish Sisters Attend Cousin’s Wedding Gish Sisters Christen New Hup – 1916 (L.A. Herald) Gish Sisters, House Attendants (Chicago Tribune – 1922) Gish will not join Griffith – Hollywood Vagabond (1927) Glimpses of a Legend – By Kevin Brownlow (Sight and Sound – April, 1984 BFI England) Golden With Age – Chicago Tribune, 1987 GONE HOLLYWOOD – By Christopher Finch and Linda Rosenkrantz (1979) Grand Old Lillian Gish Makes a Big Splash in the Whales of August Grandma Moses – 1989 (Tom Biracree) Great American Film Directors – 1987 (D.W. Griffith) Great names and how they are made – By THODA COCROFT (1941) Great War Films (Hearts of the World 1918) – Lawrence J. Quirk 1994 Great War Films – Lawrence J. Quirk 1994 (The Birth of a Nation 1915) GRIFFITH (Hearts of the World) – Kevin Brownlow 1979 GRIFFITH – by Sergei Eisenstein (Essay date – 1949) Griffith and “The Birth of a Nation” – By William K. Everson (1978) Griffith in the Twenties – (Orphans of the Storm) – By William K. Everson (1978) Griffith Renews Old Promises – By Kenneth Macgowan (Motion Picture Classic – 1919) Griffith Sees Real War – By Harry C. Carr (Photoplay March 1918) Griffith to Stage The Greatest Thing in Life’ Next Monday Evening (LAH – 1918) Griffith’s Cameraman, Billy Bitzer – An Interview by Beaumont Newhall (1965) Griffith’s Picture (Orphans) Angers the French – Photoplay 1923 Griffith: The Minor Masterworks By Herb Sterne (Rob Wagner’s Script – 1946) Griffith—and the Great War – By Paul H. Dowling (Picture-Play Magazine March 1918) Griffith’s Musical Secrets – Picture Play 1922 Griffith’s Virtues – Billy Bitzer (His Story) 1973 Halliwell’s Filmgoer’s and Video Viewer’s Companion (Ninth Edition – 1988) HEARTS OF THE WORLD (Griffith/Paramount-Artcraft, 1918) – Selected Film Criticism HEARTS of the WORLD – A Review By Julian Johnson (Photoplay Vol. XIV June, 1918 No. 1) Hearts of the World – Fictionized version by Julian Johnson (Photoplay July 1918) HEARTS OF THE WORLD – Iris Barry (1965) Hearts of the World – 1918 – Compiled by Seymour Stern, May, 1947 (Special Supplement to Sight and Sound) Hedda Hopper’s Memories of Early Movies and D.W. Griffith (Chicago Tribune, 1952) Henri Langlois, The Decoy Fanatic (The New Yorker – March 24, 1975) Henry B. Walthall, his impressions of Lillian Gish (By Myrtle Gebhart – Picture Play 1926) HENRY KING – Director From Silents to ‘Scope (1995) HENRY KING by Jon Tuska (1978) His Double Life – By Norbert Lusk (Picture Play 1934)/ Molly Levin (Picture Play 1935) Hobson’s Choice – 1983 HOBSON’S CHOICE – By John J. O’Connor (The New York Times – Dec. 21, 1983) Hollywood – By BOB THOMAS – The Associated Press (1945) Hollywood and the Catholic Church – By Les and Barbara Keyser 1984 Hollywood costume – Glamour! Glitter! Romance! Hollywood Honors Miss Gish – By Aljean Harmetz (The New York Times – 1984) HOLLYWOOD in The Twenties (1968) by David Robinson HOLLYWOOD ROYALTY – HORS D’OEUVRES (1992) – by Gregory Speck HOLLYWOOD ROYALTY – INTERVIEWS (1992) – by Gregory Speck Hollywood Star Profiles (The Reporter) – Lillian Gish (1984) HOLLYWOOD The Pioneers – by Kevin Brownlow, 1979 Hollywood: The Golden Era by Jack Spears (1971) HOME, SWEET HOME (Reliance-Majestic/Mutual, 1914) – Selected Film Criticism Honors (Kennedy Center) – The New Yorker (1982) How “Way Down East” Was Filmed (By Charles Gatchell – The Picturegoer, September 1921) How Griffith Picks His Leading Women – By Harry C. Carr (Photoplay 1918) How I Saw “Hearts of the World” – By Marguerite Sheridan (Picture Play Magazine 1918) How the Great Directors Work – by Harry Carr (Motion Picture Magazine – May, 1925) How to be beautiful – By Hester Hoffmann (Pittsburgh Post) How to be beautiful! – “Train Your Lips To Express Beauty Advises Lillian Gish” I am like a flea, forever hopping here, there and everywhere … I Go A – calling on the Gish Girls – By Richard Willis (1914) Icons of American Popular Culture [D.W. Griffith] – Robert C. Cottrell (2010) Ike and Mama and the Once in a Lifetime Movie – By Carol Snyder – 1981 In Plaid and Tartan By Norbert Lusk (Picture Play Magazine, 1927) In Praise and Celebration of SISTERS – A HELEN EXLEY GIFTBOOK (1998) In Search of Happier Times: Horton Foote’s The Trip to Bountiful (1986) – Glenn D. Novak In the Cyclone Belt – By Norbert Lusk (Picture Play 1929) Interview – July 7, 1913 edition of the “Massillon Evening Independent” Interviewing Miss Gish … Interviews with Prominent Directors – D.W. Griffith (by Roberta Courtlandt 1915) Motion Picture Magazine INTOLERANCE (1916) – By Seymour Stern – Special Supplement to Sight and Sound 1946 INTOLERANCE (American Silent Film – By William K. Everson, 1978) INTOLERANCE (Griffith Wark, 1916) Selected Film Criticism Intolerance – 1916 – By Franklin Joe (1959) INTOLERANCE By Hector Ames (Motion Picture Classic Vol. 3, 1916) Intolerance Is the Greatest Movie Ever Made IT WAS FUN WHILE IT LASTED (1973) BY ARTHUR H. LEWIS Jed Harris The Curse of Genius – By Martin Gottfried (1984) JOHN GIELGUD’S HAMLET – 1936 (James Mason Brown, 1938) John Huston: Maker of Magic – By Stuart Kaminsky – 1978 (The Unforgiven) Joseph Schildkraut, The Future Great Actor (Photoplay 1921) Joyce (Coad) Growing Toward Stardom (MOVING PICTURE WORLD HOLLYWOOD OFFICE June 25, 1927) Just Marionettes – By Louise Williams (Picture Play Magazine September 1919) KENNEDY CENTER HONORS 5 IN ARTS – By Irvin Molotsky, Special To the New York Times, 1982 Kennedy Center Honors show taped for airing Christmas night – 1982 KING VIDOR – 1988 King Vidor – by John Baxter (1976) King Vidor – by John Baxter (1976) – Duel in the Sun King Vidor, American (Duel in the Sun – I) – Raymond Durgnat & Scott Simmon (1988) King Vidor, American (Duel in the Sun – II) – Raymond Durgnat & Scott Simmon (1988) King Vidor, American (La Boheme) – Raymond Durgnat & Scott Simmon (1988) L.A. Film Favorites in “The Clansman” February 1915 (LAH) La Boheme (by George T. Pardy) Motion Picture News, 1926 La Boheme – Romantic Drama – By Agnes Smith (MGM) – 1926 La Boheme with an Extra Girl – By Margaret Reid (Picture Play Magazine – February 1926) La Marquise – by Noel Coward, starring Lillian Gish La Tragique Lillian by the Sea (Picture Play Magazine – 1926) Ladies in Distress – Kalton C. Lahue (1971) Lars Hanson – Photoplay Magazine July, 1927 Le Spectre de La Rose … (Charles Affron – 2001) LEADING LADIES – 1976 (Electa Clark) Letters of Carl Van Vechten – 1987 Life Is Beautiful, Says Lillian Gish – By Aileen St. John Brennon (Picture Play – March, 1927) Life With Mother Lilian Gish recovering in Germany in the 30’s Lillian FIGHTS Alone – By Leonard Hall – 1929 Lillian Gish (Amazing Ohio – By Damaine Vonada, 1989) Lillian Gish (Classics of The Silent Screen – By Franklin Joe – 1959) Lillian Gish (Picture Show Annual – 1929) Lillian Gish (Triangle) Pictorial 1917 Lillian Gish – A charming 73, she is life’s genuine heroine – By Pat Colander (Chicago Tribune 1973) Lillian Gish – A Tribute to a Trouper – By ANITA LOOS (The New York Times – September 14, 1980) Lillian Gish – By Clara Beranger (Picture Play Magazine – September 1926) Lillian Gish – Photo Gallery – High Resolution Lillian Gish – Photo Gallery III LILLIAN GISH – Poem By Doris Kenyon 1922 Lillian Gish – The Movies, Mr. Griffith, and Me (Review by ARTHUR MAYER, New York Times, 1969) LILLIAN GISH – Vanity Fair – December 1932 (George Jean Nathan) Lillian Gish and Film Preservation (AFI 1984) Lillian Gish and George Jean Nathan (Charles Affron) Lillian Gish and Jeanne Moreau – Vanity Fair 1983 Lillian Gish and Max Reinhardt – A Miracle That Failed Lillian Gish and MGM aka “Heaven And Hell All Contained In Five Acres” Lillian Gish Archive to Go To Performing Arts Library – By William Grimes – Jan. 23, 1997 (The New York Times) Lillian Gish As She Is … (Ross 1920) Lillian Gish – (pictorial) Louis Giannetti – 1981 Lillian Gish – A tribute to a Trouper (Anita Loos – 1984) Lillian Gish – on Sunday News cover, 1942 (Carbro Print Process overview) Lillian Gish – raising money for the Red Cross (Chicago Tribune – Sunday July 7, 1940) Lillian Gish – Study by Emil Orlik, 1924 (Pictorial) Lillian Gish – To Be or Not To Be … in “Faust” Lillian Gish ‘Lobbies’ for Old Newsreels (The New York Times – 1979) Lillian Gish By Kevin Brownlow (San Francisco Cine – 1985) Lillian Gish By Monte Blue (Photoplay Magazine – July 1924) Lillian Gish chats with Merv Griffin (The Way It Was – CBS Thu. Jan. 14, 1970) Lillian Gish Collection – Amon Carter Museum, Fort Worth TX (Laura Gilpin and Nell Dorr) Lillian Gish comes to Saddleback College (Lariat – 1978) Lillian Gish Enjoyed Directing Her Sister – New York Tribune, Feb. 29, 1920 Lillian Gish Gives a Notable Performance in Foote’s ‘The Trip to Bountiful’ – By BROOKS ATKINSON (New York Times, 1953) Lillian Gish honored by fans she loves best – movie people – By Gene Siskel (Chicago Tribune – 1977) Lillian Gish in “Buried Alive.” By Mordaunt Hall.b.r.c. (The New York Times – Dec. 16, 1933) Lillian Gish in “The White Sister” – The Film Daily – September 9, 1923 Lillian Gish in a Hurricane (Pictorial) 1927 (Picture-Play August 1927) Lillian Gish in Annie Laurie – Lola Todd (1927) Lillian Gish in Chicago Tribune Illustrated Notes Lillian Gish in Philip Barry’s ‘The Joyous Season’ By Brooks Atkinson (The New York Times – 1934) Lillian Gish in Romola (Program) Lillian Gish in the Theatre Guild’s Production of ‘The Curious Savage’ – By Brooks Atkinson (The New York Times – Oct. 25, 1950) Lillian Gish in True Heart Susie (1919) – by James Naremore (In Focus: Routledge Film Readers – edited by Pamela Robertson Wojcik – 2004) Lillian Gish is Annie Laurie (Chicago Tribune 1927) LILLIAN GISH IS NOW OUT OF A JOB (1921) Lillian Gish Is Working in the Mojave Desert—Wind, the Menace (The New York Times July 3, 1927) Lillian Gish Looks Back on a Century – By John J. O’Connor (The New York Times – 1988) Lillian Gish Makes Her Bow in Version of a Molnar Play – Marion Davies’s Comedy – By Mordaunt Hall, 1930 Lillian Gish Marks Time – By Aileen St. John Brennon (Picture Play Magazine – September 1928) Lillian Gish Of Early Film Days to Appear on W-G-N Today – By Larry Wolters (Chicago Tribune – 1940) Lillian Gish Plans Double Exposure (The New York Times – 1969) Lillian Gish Plays Hawthorne Heroine – By Mae Tinee (Chicago Tribune – 1927) Lillian Gish Quits America First Group – The New York Times – Sept. 2, 1941 Lillian Gish Ready to start on a Talkie – By Rosalind Shaffer (Chicago Tribune Press Service) 1929 Lillian Gish Reappearing as Molnar’s ‘Swan’ – By Mae Tinee (Chicago Tribune – 1930) Lillian Gish returns as “the mother” in “The Swan” (1948) Lillian Gish Shines in ‘All the Way Home,’ as She and Sister Have in Many Things – By Brooks Atkinson (New York Times, 1960) Lillian Gish Stars in Play “Grass Harp” On TV (1960) Lillian Gish Still Captivates Audiences – By Gene Siskel (Chicago Tribune – 1969) Lillian Gish Still Devoted to Career – By Hedda Hopper (Chicago Tribune – 1963) Lillian Gish Still Favors Long Tresses – By Antoinette Donnelly (Chicago Tribune – 1938) LILLIAN GISH SUED by Charles H. Duell Lillian Gish Television drama series 1947-1959 by Larry James Gianakos (1980) Lillian Gish Tells How Ice Scenes Were Filmed (Washington Herald – 1921) Lillian Gish tops playing roles in silent movies – By Mike Hughes (1988) Lillian Gish Tribute at AFI Series – By Barbara Saltzman (L.A. Times – August 1979) Lillian Gish visits Berlin Germany -1928- Lillian Gish Will Play Nurse in “Romeo” – By Sam Zolotow (The New York Times – 1965) Lillian Gish with the Biograph Company (1912 – 1916) Lillian Gish’s Face (Opinion – The New York Times – 1993) Lillian Gish’s Summer Frocks – Photoplay June 1922 Lillian Gish, 75 years of Hollywood … Lillian Gish, 99, enduring star spanning the history of movies (Chicago Tribune – March 01, 1993) Lillian Gish, at 83, TRANSCENDS STYLE Lillian Gish, Grandma Moses, Cited by Women’s Group (The New York Times – January 21, 1954) Lillian Gish, in isolation ever since she came to California – By Edwin and Elza Schallert (Picture Play Magazine – 1925) Lillian Gish, left an estate worth $10 million, to endow an annual award in the performing arts. – By Nadine Brozan (The New York Times – March 6, 1993) Lillian Gish, Maker of Memories – By Kevin Brownlow (The New York Times 1997) Lillian Gish, My Religion, Helen Keller, and Jim Patterson – 1974 Lillian Gish, taking her mother to hospital (Chicago Tribune – 1927) Lillian Gish, the Author, Talks on D. W. Griffith – By HOWARD THOMPSON (New York Times – April 18, 1969) Lillian Gish, The Enigma of the Screen – By James R. Quirk (Photoplay 1926) Lillian Gish: A Night to Recall The Glory Years – By JUDY KLEMESRUD (The New York Times – 1980) Lillian Gish: a Winner Before and a Winner Again – By Albin Krebs and Robert Mcg. Thomas (The New York Times – 1981) LILLIAN GISH: AN INTERPRETATION – By EDWARD WAGENKNECHT (1987) Lillian Gish: still a trouper Lillian Gish: The Silent Past Lillian Gish’s Genius Will Outlast Ava DuVernay and the Canon Wreckers – By Armond White, June 2019 Lillian Gish’s Protest against Racism in US – Chicago Tribune, Apr. 28, 1940 Lillian Leaves For West (Chicago Tribune – 1943) LILLIAN GISH at Auditorium in SEX PLAY – TUESDAY Lillian Gish Finds Ideal Role in Her Latest Film, ‘La Boheme,’ – 1926 Lillian Gish Has Tragic Role of Mimi in Cabrillo Picture, “La Boheme” Lillian Gish is Star in Fine Arts “Diane of the Follies” at Mission (1916) Lillian Gish Rates Title of ‘Most Durable Star’ – 1965 Lillian Gish still favorite dish – By Marilyn August, October – 1983 LION of HOLLYWOOD (2005) LizBits – Nine Pine Street – By Neilson Caplain (October, 2002) Looking Back 25 Years (Picture Show Annual – 1936) LOOS PREVIEW 1981 Lost Hollywood – By David Wallace – 2001 Louis B. Mayer, Merchant of Dreams – by Charles Higham (1993) Love in the Film – By William K. Everson (1979) Love, Laughter and Tears – My Hollywood Story (By Adela Rogers St.Johns – 1978) Love, Lava and Lillian (The White Sister) by Josie P. Lederer – Picturegoer June 1924 Madera Tribune, 1926 “Romola” Mainly About Lindsay Anderson (Whales of August) by Gavin Lambert – 2000 Marks of age are lost in her glow – 1978 by Carol Olten (NY) Masters and Masterpieces of the Screen – 1927 Max Reinhardt with Lillian Gish (Chicago Tribune 1928) Maxwell Anderson’s ‘The Star Wagon’ – By Brooks Atkinson (The New York Times, Sep 30, 1937) May Hear Lillian Gish (The New York Times, June 2, 1929) Meet “Battling” Burrows – 1919 Memories of Lillian Gish – Motion Picture Classic (1922) Metro-Goldwyn Pictures Presentation Book (Australia) 1924 Miss Gish Finds West Panicky at Talk of Air Raid (Chicago Tribune 1941) Miss Gish Star of an Exciting Drama in N.Y. – By John Chapman (New York News Drama Critic) 1953 Miss Gish, The White Sister – Wid’s Weekly 1924 Miss Lillian Gish, as a Reincarnation of Lizzie Borden, Appears in “Nine Pine Street.” (The New York Times – April 28, 1933) Miss Mabel (1950) Missing Pages from “Life and Lillian Gish” (A.B. Paine) – scanned digitized edition Modern Women: Women Artists at the Museum of Modern Art – Edited by CORNELIA BUTLER and ALEXANDRA SCHWARTZ Mongrel Bites Lillian Gish When She Defends Pet Puppy (Evening Star DC, Sep. 1930) More From Hollywood – By DeWitt Bodeen – 1977 (Frances Marion) Mother of Miss Gish (Chicago Tribune 1941) Motion Picture Classic 1926 – Letters to “King Dodo” Movie Star – A Look at the Women Who Made Hollywood – By Ethan Mordden (1983) Movies are selling the books (Photoplay Magazine – March 1928) Movies in America – By William Kuhns – 1972 (D.W. Griffith) Movies in America – By William Kuhns – 1972 (The Birth of a Nation) Mr. Griffith’s House with Closed Shutters: The Long-Buried Secret That Turned Lawrence Into D. W. – by William M. Drew (2012) Music For Silent Films [1894 – 1929] Compiled by Gillian B. Anderson (Music Division 1988) My Friend, Lillian Gish – By Louise Williams (Picture Play Magazine – November 1920) My Life in Three Acts – Helen Hayes (1991) My Pulchrist Experiment in Verisimilitude (Jesse Waugh – 2013) Nearly 200 top stars shine at benefit show – 1982 New STYLES in SCREEN GIRLS – By Harry Carr (1926) Newspaper Opinions on New Pictures – “Annie Laurie” (Motion Picture News – June, 1927) NORMAN KERRY is the finest guy in Hollywood – By Ruth Waterbury (Photoplay 1927) Not So Long Ago – By Lloyd Morris – 1949 (The Old Master – D.W. Griffith) Notes on People; The Untiring Lillian Gish, 84 – By David Bird and Albin Krebs (The New York Times 1981) Of Course You Know Dorothy – By Helen Klumph (Picture Play Magazine – January 1922) Old Movie Days Recalled – By Mary Middleton (Chicago Tribune – 1963) Old Wounds … New Scars – By Alma Talley, 1928 On Film – By Frank E. Beaver (1983) One Illusion Intact –By Helen Klumph ONE ROMANTIC NIGHT – Kinema Guide – January 12th to 18th, 1931 (London) Only the Best – A Celebration of Gift Giving in America Opposing Views On Nation’s Role In War Are Given (Chicago Tribune – 1941) Original Review: ‘The Trip to Bountiful’ (Brooks Atkinson) 1953 ORPHANS OF THE STORM—D. W. Griffith – Photoplay Magazine – March 1922 Our “Young Visitors” By Faith Service 1920 Our Animated Monthly of Movie News and Views – By Sally Roberts (Motion Picture Magazine 1919) Pathex Motion Pictures – 1926 PBS Reopens `Masters` With A Charming Gish (July 11, 1988) Performance of Lillian Gish on Broadway Found Stirring – By Hedda Hopper (Chicago Tribune – 1953) Picture-Play Magazine (June 1926) “La Boheme” – Sally Benson Picturing “La Boheme” – By John Gilbert (Screenland July 1926) Playing to the Camera – 1998 (Film Actors Discuss Their Craft) Pre – Centennial 1984 (The New Yorker) PRESS STORIES “A Romance of Happy Valley” Prof Dr. Ana Aslan – ROMANIA – And Lillian Gish Ramon Novarro admires Lillian Gish (Picture Play Magazine – 1926) Re-Meet Lillian Gish (A 60 seconds close-up) 1942 – by Jerry Mason Reel America and World War I – by Craig W. Campbell (1985) Reel women pioneers of the cinema, 1896 to the present – Ally Acker (1991) Reincarnation (Uncle Vanya) Chicago Tribune – 1930 Religion in the Cinema – By Ivan Butler (1969) Remarkable Lillian Gish to Do Broadway Musical (By Hedda Hopper) Chicago Tribune – 1965 Remember The Silent Screen Sisters? (1975) Remodeling a Husband – By FAITH SERVICE (Motion Picture Classic – 1920) REMODELING HER HUSBAND Paramount-Artcraft, 1920) Selected Film Criticism Robert Altman enthusiast – Lillian Gish remains eager and excited (1978) Romola (Motion Picture Magazine May 1925) Romola – Wid’s Weekly 1924 Romola – Praised for Unusual Visual Splendor Romola Recommended as An Antidote. (Picture Play Magazine 1925) Salaam (The Scarlet Letter) – By Norbert Lusk (Picture Play Magazine – Nov. 1926) Salute to Lillian Gish rates salute, too – By Jon Anderson (TV writer) 1984 San Pedro News Pilot 1924 – “The White Sister” – Prologue Savage Haiti of ‘Papa Doc’ Upstages Characterization in ‘Comedians’ – By Clifford Terry (Chicago Tribune 1967) Screen Acting – Its Requirements And Rewards – By Inez And Helen Klumph – 1922 SCREEN ACTING by Mae Marsh 1921 SCREENING OUT THE PAST By LARY MAY (1980) Seductive Cinema – The Art of Silent Film (By James Card – 1994) Selected Film Criticism – BROKEN BLOSSOMS (Anthony Slide) Seventy Years of Cinema (Orders to Kill) – By Peter Cowie – 1969 Short Reels – Wid’s Daily 1920 Silent Cinema – By Joel W. Finler (1997) Silent Players – Anthony Slide (2002) Silent Star – By Colleen Moore (1968) Sisters Gish Make This One Night Perfect – By Mae Tinee (Chicago Tribune – 1925) Sold For Marriage – by Anthony Slide (1980) SONS COME AND GO, MOTHERS HANG IN FOREVER – By William Saroyan – 1976 St. Louis and Sodas at the Busy Bee – The Globe Democrat, 1968 STAGE 1937 – The Birth of an Era (By Lillian Gish) Star Acting – Gish, Garbo, Davis – By Charles Affron (1977) STAR GLITTERS – 1980 STAR MAKER – The Story of D. W. Griffith (1959) by HOMER CROY STARDOM – THE HOLLYWOOD PHENOMENON – By Alexander Walker – 1970 (All For Art – Lillian Gish) Stars of the Screen and Their Stars in the Sky – By Ellen Woods (Photoplay Magazine 1918) Stars of the Silents – By EDWARD WAGENKNECHT (1987) State Rights Sale for “Judith of Bethulia (Motion Picture News – 1917) Still Moving – Steven Higgins (MoMA) 1996 Sweetheart – The Story of Mary Pickford 1973 Tasteless Film Sex Disturbs Lillian Gish Tea with Lillian Gish (Picture – Play Magazine March 1921) Tears and Cheers for Two Orphans at the Armstrong (The Rock Island Argus – 1922) Tenacity and Determination are Indicated in the Face of Lillian Gish (The Picture Show – 1920) Tenth Anniversary (Exhibitors Herald – June 27, 1925) THE “I” OF THE CAMERA – Judith of Bethulia (1913) – by William Rothman THE “I” OF THE CAMERA – True Heart Susie by William Rothman (1988) The Art of the American Film (Broken Blossoms) – Charles Higham 1974 The Battle of Elderbush Gulch – MOTOGRAPHY July 31, 1915 THE BATTLE OF THE SEXES (1914 – 1928) The Birth of an Era The Celluloid Critic – Broken Blossoms (Motion Picture Classic – August 1919) THE CELLULOID MISTRESS – By Rodney Ackland & Elspeth Grant (1954) The Children Pay – 1916 The Children Pay – By Anthony Slide – 1980 The Children Pay – By Julian Johnson (Photoplay – February 1917) The Children Pay – Review by Julian Johnson – 1917 (Photoplay) The choice for viewing tonight is ‘Hobson’s Choice’ – Bill Hayden (1983) The Cinema of D.W. Griffith – Louis Giannetti (1981) The Cinematic Century – By Harry Haun (2000) The Clamorous era, 1910-1920 “A Sun-Play of the Ages” The Clamorous Era, 1910-1920 – The Movie Queens The Clansman is coming to Local Theater – 1916 The Cobweb (1955) – Affron /Oderman The Custard Pie of Dr. Caligari – By Rodney Ackland & Elspeth Grant THE DANCE: MET OPERA GALA The Day Lincoln Was Shot – 1956 The Decline Of A Mandarin – by Peter John Dyer (Sight and Sound – January, 1959 – London, England) The Defenders (TV Series) 1962 The Dorothy and Lillian Gish Prize (New Yorker – August 15, 1994) The Enemy (MOVING PICTURE WORLD December 31, 1927) The Enemy (Reviewed by Laurence Reid – Motion Picture News 1927) The Expressions Of Dorothy Gish – (Picture Show, 1920) The Expressions Of Lillian Gish (Picture Show, 1920) The Face That Launched A Thousand Films – 1993 (Chicago Tribune) The Faces of the Film Stars – by F. Vance de Revere (Motion Picture Magazine – 1924) The Filming of “Way Down East” – By Charles Gatchell (Picture Play Magazine August 1920) The First Film Makers – by Richard Dyer MacCann (1989) The first reviews of “The Birth of a Nation” 1915 The Girl Who Is Different – By Harry Carr (1924) THE GISH SIS-STARS (Picture Show Annual – 1926) The Gishes Go A-Calling and Find the Triangle Girls At Home – By Joan Benson (Motion Picture Classic 1917) The Glamour Factory – Ronald L. Davis 1993 The Great American Playwrights on The Screen – Jerry Roberts (2003) THE GREAT LOVE (Paramount-Artcraft, 1918) Selected Film Criticism The Great War Propaganda – By Louella O. Parsons (Photoplay 1918) THE GREATEST QUESTION (Griffith/First National, 1919) Selected Film Criticism The Greatest Thing in Life – By Mae Tinee (Chicago Tribune – 1918) The Greatness of Griffith – By W.B. Turner (Pictures and Picturegoer – August 1925) The Griffith Actresses – By Anthony Slide – 1973 (Blanche Sweet, Kate Bruce, Lillian Gish) The Griffith Studio Family Is Breaking Up (Motion Picture Classic – 1920) The Hollywood Hallucination – by Parker Tyler (© 1944 – 1970) The Hollywood Professionals – HENRY KING (by Clive Denton – 1974) The Hollywood Studios – By Ethan Mordden (1988) The House Built Upon Sand – Filmed in The Gish Home (J.C. Jessen – 1916) The House of Barrymore (Duel in the Sun) – By Margot Peters (1990) THE HUNCHBACK – Reel Life – April 11, 1914 The Legend of Leonora – 1948 The Lillian Gish Frock – (Photoplay July 1925) The Lily and The Rose – Reviewed by Neil G. Caward (Motography 1915) The Lily – Maid of the Cinema (Motion Picture Magazine, October 1919) The Lily Maid From Ohio – F. J. Smith – Motion Picture (1921) The Lily of “Hearts of the World” – By Martha Groves McKelvie (Motion Picture Magazine – August, 1918) The Lyrical Lillian – 1942 The M-G-M Story – By John Douglas Eames (1975) The MGM Girls Behind The Velvet Courtain – 1983 The Mona Lisa of The Movies – By Delight Evans (Screenland – June 1924) THE MOTHERING HEART (American Biograph, 1913) The Movies – 1970 (1957) Revised The Movies in the Age of Innocence – By Edward Wagenknecht (1962) I The Movies in The Age of Innocence – By Edward Wagenknecht (1962) II The Movies, Mr. Griffith And Me (reviewed by Bessie Love) Sight and Sound 1969 THE MUSKETEERS OF PIG ALLEY (American Biograph, 1912) The New Woman and Twenties America: Way Down East – June Sochen 1979 The New York Herald, Sunday December 19, 1920 (Way Down East) The Parade’s Gone By … Kevin Brownlow – 1968 The Paradoxical Ronald Colman – By Helen Klumph (Picture Play Magazine – 1926) The Price They Paid for Stardom – By Myrtle West (Photoplay Nov. 1926) The Project Gutenberg “WAY DOWN EAST” The Real Lillian Gish – By Eleanor Nangle (Chicago Tribune – 1940) The Real Lillian Gish Vs. The Imaginary – By Julian Johnson (Photoplay 1918) The Real Sirens of the Screen – By Agnes Smith (Photoplay September, 1926) The Real Story of “Intolerance” – By Henry Stephen Gordon (Photoplay Nov. 1916 Vol. X) The Scarlet Letter – By Nathaniel Hawthorne (Screenland – May 1926) The Scarlet Letter — Entire Film — The Screen’s Foremost Artist – Motion Picture News (1927) The Serious Side of the Women of the Screen – Filmplay July 1922 THE SILENT SCREEN – Richard Dyer MacCann The Singing Empress (Stuart Oderman) The Spectator (1999) – Studs Terkel THE STAGE “Uncle Vanya” – By Charles Collins (Chicago Tribune – 1930) THE SWAN – By Edwin and Eliza Shallert (Picture Play 1930) The Swashbucklers – 1976 The Time of Laughter – By Corey Ford (1967) The Unknown Hollywood I Know … When Lillian Gish was a real vamp … By Katherine Albert (Photoplay 1932) The War, the West, and the Wilderness – By Kevin Brownlow – 1979 (The Wind) The White Sister (Motion Picture Classic – 1923) – Laurence Reid Review The White Sister in A Bright Red Coat – 1923 The Wind (1928) – USA – Entire Film The Winnipeg Tribune – Cavalcade of The Screen (By Erskine Johnson – 1943) THE WOMAN WHO WAITS (Paramount and Artcraft Press Book May,1919) Theater’s Loyal Star Lillian Gish (New York Times – June 11, 1966) Theatre: Stage to Screen to Television – By William Torbert Leonard – London 1981 Theatre: Stage to Screen to Television – By William Torbert Leonard – London 1981 (All The Way Home) Theatre: Stage to Screen to Television – By William Torbert Leonard – London 1981 (ANASTASIA) Then and Now – Lillian Gish – By Seymour Peck (The New York Times 1960) They Are Not What They Seem – By Gladys Hall (Motion Picture Magazine – 1926) They Say He’s a Genius – By Sheilah Abraham (1943) They Say in New York … By Karen Hollis (Picture Play Magazine – 1933) Those Gish Girls, EACH IS MORE ALLURING Than the Other (1919) Through The Looking Glass – Selma G. Lanes (2004) Tragedy and misfortune for Griffith Stars – By Marquis Busby (Photoplay – November 1929) Tribute to Gish telecast – April 17, 1984 True Heart Susie Advertising Campaign – Paramount and Artcraft Press Books (May 1919) True Heart Susie – The Story (Photo-Play Journal – July 1919) Twentieth-Century Literary Criticism – Scot Peacock – Editor (1997) – D. W. Griffith Twinkle, Twinkle, Little Star – by Dick Moore (1984) U.S. Stamp Will Honor Film Genius – By A. H. Weiler (The New York Times – 1975) Unbreakable Blossom – By Richard Schickel (The New York Times – March 4, 2001) Uncle Vanya (Lillian Gish – The Movies, Mr. Griffith and Me) Uncle Vanya – Albert Bigelow Paine 1932 Uncle Vanya 1930 – 1973; Milestones Marking a Legendary Stageography Vanity Fair presents Lillian Gish (1919 – 1983 Pictorial) W-G-N To Star Lillian Gish in Sunday Drama (Chicago Tribune 1940) Wages Court Fight with Rich Man (Chicago Tribune – 1925) Was Mrs. Belmont “up-stage” in Way Down East? (Photoplay September 1920) Way Down East – Iris Barry (1965) WAY DOWN EAST (Griffith/United Artists, 1920) Selected Film Criticism Way Down East – Richard Brody (The New Yorker) Way Down East, a “b’gosh” Drama – By Peter Milne (Picture Play Magazine – 1920) We Interview the Two Orphans – Gladys Hall /Adele Whitely Fletcher We need to remember the long-suppressed history of women including their pioneering contributions to cinema. We’re Surprised, Lillian! – MOTOGRAPHY August 19, 1916. Weeps at Own Play – 1919 (Los Angeles Herald) What Happened to Lillian Gish? By Frederick L. Collins – June 1933 What I Demand of Movie Stars – By David W. Griffith (Motion Picture Classic 1916) What Love Means to Me – By Lillian Gish (Pictures and Picturegoer – October 1924) What Makes Them Cry – By Frederick James Smith (PHOTOPLAY 1923) What Was Lost – By Herbert Morris (2000) What Will Griffith Do Now? – By Gerrit Lloyd (Picture Play Magazine – September 1925) When England Woke (The Great Love) – Picture Play Magazine – Sep. 1918 When it comes to versatility, Price is right By BOB THOMAS – 1988 When Lillian Gish first met Mary Pickford … When Mamaroneck Upstaged Hollywood – By Bruce Berman (The New York Times – June 19, 1977) Where She Danced – By Elizabeth Kendall – 1979 While Cutting Annie Laurie … (Photoplay January 1927) White Sister – Programme – Tivoli Strand London 1924 Why Are We Glad to Get Back Home – Motion Picture Magazine 1924 Will the Churches Defeat Censorship? By Frances Rule (Picture Play Magazine 1926) William Powell – To the Rescue of the Villain (Picture Play Magazine – May, 1925) WITHIN THE GATES, Pretentious rubbish, or A very Christian Play … Women Film Directors – Gwendolyn Audrey Foster 1995 Women Filmmakers & Their Films (St. James Press 1998) WOMEN IN MOTION: Dance, Gesture and Spectacle in Film, 1900-1935 – by Elizabeth Ann Coffman (1995) Women on the Hollywood Screen – By Frank Manchel (1977) Would I Do It Over Again? – Lillian Gish said … Photoplay June 1922 Writers for ‘Anya’ Accepted Lillian Gish’s Voice – By Louis Calta (The New York Times Nov. 9, 1965) You And Your Hand – By CHEIRO (1932 GB)- The Hand of Lillian Gish Young Boswell Interviews Lillian Gish (New York Tribune, 1922) Young Red-Heads Are Models (Chicago Tribune – 1941) Ziegfeld, the Time of his Life – Randolph Carter 1988
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