“Birth of a Nation” Breaks All Records – (Photoplay, July 1924)

“Diane of the Follies” by Thomas C. Kennedy (Motography – September 30, 1916)

“Romola” (Moving Picture World – 1924)

“The Greatest Thing In Life” advertising campaign (Paramount and Artcraft Press Books – Dec 1918)

‘Miss Lillian’ – IRVING L. JAFFE (The New York Times – May 4, 1969)

‘My Dream Has Come to Life’ – By Harold C. Schonberg (The New York Times – March 30, 1978)

1980 David Wark Griffith Awards (Films in Review – March 1981)

A Book and a Play are keeping Lillian Gish for the Public Eye – By Karen Hollis (Picture Play 1933)

A Tribute To “The Birth Of A Nation” – By Rupert  Hughes (United Artists Pressbook, 1915)

Advertising Uncle Vanya …

After ‘Life With Father’ Lillian Gish Owns the (Chicago) Town – By Lloyd Lewis (New York Times, 1941)

Alice in Wonderland – 1982 (Pictorial)

Cape Coat Continues to Appeal to Slender Figure (1927)

Captain Billy’s Whiz Bang – 1921 (Way Down East)

City Bestows Accolade On a Cheerful Miss Gish (The New York Times – Oct. 18, 1973)

Critics Praise Lillian Gish in “The White Sister” – Moving Picture World – 1924

D. W. Griffith, Pioneer Film Producer, Dies (July 23, 1948)

Dick Barthelmess was married … for real, not just in Way Down East (Picture Play Magazine 1920)

Dorothy and Lillian Gish 1951 – Look Magazine (Pictorial)

Down memory lane with a legend – 1982

Engagements, Marriages and Divorces in Hollywood (Jack Foley’s Movie Digest – 1925)

Erte Speaks His Mind (By Annette Buroughs – PHOTOPLAY February, 1926)

Experience – A rehearsal of “Anya” (The New Yorker – November 27, 1965)

FILM INSTITUTE SALUTES LILLIAN GISH — By John J. O’Connor (The New York Times 1984)

Flashing Back to Romance – By Malcolm H. Oettinger (Picture Play Magazine – November 1921)

For me, Lillian Gish put BGSU on the map!

Friends Tried and True (Lillian, Dorothy, Mary and Mildred) By M. Lewis Russel

Frohman Amusement Corporation to State Right Lillian Gish Specials (Moving Picture World, 1920)

Gish sisters are an important part of film history

Gish Sisters Attend Cousin’s Wedding

Glimpses of a Legend – By Kevin Brownlow (Sight and Sound – April, 1984 BFI England)

Golden With Age – Chicago Tribune, 1987

Grand Old Lillian Gish Makes a Big Splash in the Whales of August

Griffith Sees Real War – By Harry C. Carr (Photoplay March 1918)

Henri Langlois, The Decoy Fanatic (The New Yorker – March 24, 1975)

Hollywood Honors Miss Gish – By Aljean Harmetz (The New York Times – 1984)

Honors (Kennedy Center) – The New Yorker (1982)

How I Saw “Hearts of the World” – By Marguerite Sheridan (Picture Play Magazine 1918)

Interviewing Miss Gish …

KENNEDY CENTER HONORS 5 IN ARTS – By Irvin Molotsky, Special To the New York Times, 1982

Kennedy Center Honors show taped for airing Christmas night – 1982

Le Spectre de La Rose … (Charles Affron – 2001)

Lillian Gish chats with Merv Griffin (The Way It Was – CBS Thu. Jan. 14, 1970)

Lillian Gish in the Theatre Guild’s Production of ‘The Curious Savage’ – By Brooks Atkinson (The New York Times – Oct. 25, 1950)

Lillian Gish Looks Back on a Century – By John J. O’Connor (The New York Times – 1988)

Lillian Gish Plans Double Exposure (The New York Times – 1969)

Lillian Gish Quits America First Group – The New York Times – Sept. 2, 1941

Lillian Gish returns as “the mother” in “The Swan” (1948)

Lillian Gish Shines in ‘All the Way Home,’ as She and Sister Have in Many Things – By Brooks Atkinson (New York Times, 1960)

Lillian Gish Tribute at AFI Series – By Barbara Saltzman (L.A. Times – August 1979)

Lillian Gish Will Play Nurse in “Romeo” – By Sam Zolotow (The New York Times – 1965)

Lillian Gish, Grandma Moses, Cited by Women’s Group (The New York Times – January 21, 1954)

Lillian Gish, left an estate worth $10 million, to endow an annual award in the performing arts. – By Nadine Brozan (The New York Times – March 6, 1993)

Lillian Gish, Maker of Memories – By Kevin Brownlow (The New York Times 1997)

Lillian Gish, My Religion, Helen Keller, and Jim Patterson – 1974

Lillian Gish, the Author, Talks on D. W. Griffith – By HOWARD THOMPSON (New York Times – April 18, 1969)

Lillian Gish: A Night to Recall The Glory Years – By JUDY KLEMESRUD (The New York Times – 1980)

Lillian Gish: a Winner Before and a Winner Again – By Albin Krebs and Robert Mcg. Thomas (The New York Times – 1981)

LOOS PREVIEW 1981

Maxwell Anderson’s ‘The Star Wagon’ – By Brooks Atkinson (The New York Times, Sep 30, 1937)

Modern Women: Women Artists at the Museum of Modern Art – Edited by CORNELIA BUTLER and ALEXANDRA SCHWARTZ

Nearly 200 top stars shine at benefit show – 1982

Notes on People; The Untiring Lillian Gish, 84 – By David Bird and Albin Krebs (The New York Times 1981)

Pre – Centennial 1984 (The New Yorker)

Princess Grace of Monaco and Miss Lillian Gish

Remodeling a Husband – By FAITH SERVICE (Motion Picture Classic – 1920)

Romola (Motion Picture Magazine May 1925)

Romola – Praised for Unusual Visual Splendor

Seductive Cinema – The Art of Silent Film (By James Card – 1994)

STAR GLITTERS – 1980

Tasteless Film Sex Disturbs Lillian Gish

Tea with Lillian Gish (Picture – Play Magazine March 1921)

The Birth of an Era

THE DANCE: MET OPERA GALA

The Dorothy and Lillian Gish Prize (New Yorker – August 15, 1994)

The Great War Propaganda – By Louella O. Parsons (Photoplay 1918)

The Griffith Studio Family Is Breaking Up (Motion Picture Classic – 1920)

The House Built Upon Sand – Filmed in The Gish Home (J.C. Jessen – 1916)

The Lily of “Hearts of the World” – By Martha Groves McKelvie (Motion Picture Magazine – August, 1918)

Theater’s Loyal Star Lillian Gish (New York Times – June 11, 1966)

Tribute to Gish telecast – April 17, 1984

True Heart Susie Advertising Campaign – Paramount and Artcraft Press Books (May 1919)

U.S. Stamp Will Honor Film Genius – By A. H. Weiler (The New York Times – 1975)

Was Mrs. Belmont “up-stage” in Way Down East? (Photoplay September 1920)

When England Woke (The Great Love) – Picture Play Magazine – Sep. 1918

Writers for ‘Anya’ Accepted Lillian Gish’s Voice – By Louis Calta (The New York Times Nov. 9, 1965)