Et la femme créa Hollywood (2016) Entire Documentary

Et la femme créa Hollywood (2016)

Very few people know that Hollywood was largely dominated by women as filmmakers in the 1910s and 20s, there were more women producers and directors in powerful positions before 1920 than at any other time in the motion picture history. Their names were Lois Weber, Mary Pickford, Frances Marion, Alice Guy Blaché, Dorothy Arzner etc … Before the Big Crash women were creatively working in Hollywood at all levels. Unbelievable as it may seem, it took until 2010 for a woman – Kathryn Bigelow – to receive an Oscar for Best Director! Casting in the documentary includes the most successful women to date, Paula Wagner, producer and business partner of Tom Cruise, Robin Swicord, screenwriter and Lynda Obst, producer of, amongst others, Sleepless in Seattle, Contact and Flashdance. And Lillian Gish and Sherry Lansing (archives)

1920

American actress Lillian Gish (1893-1993) makes her only foray into directing with Remodeling Her Husband. In an “all-woman” production, Gish co-writes the screenplay with her sister Dorothy, who also stars, and recruits the American writer Dorothy Parker to write the intertitles.

In 1919 Lillian Gish was one of Hollywood’s most respected performers and D. W. Griffith’s favorite actress. That year, confident that her knowledge of the movies was equal to his own, Griffith asked her to direct a movie starring her sister Dorothy for Paramount. Convinced that women had already proven to be proficient directors, Gish happily accepted the offer. Griffith gave her a $50,000 budget and total liberty in the production. He also asked, however, that she supervise the conversion of a recently acquired Long Island estate into a studio, which was far from properly equipped for film production. It proved to be an enormous task, but she completed both it and the film successfully.

The first talkie was directed by Alice Guy, the first color film was produced by Lois Weber, who directed more than 300 films over 10 years. Frances Marion wrote screenplays for the Hollywood Star Mary Pickford and won two Oscars, Dorothy Arzner was the most powerful film director in Hollywood. And what do all of them have in common? They are all women and they have all been forgotten. Incredibly, it also took until 2010 for the first woman, Kathryn Bigelow, to win the Oscar for Best Director. Even if underrepresented women have always played a big part in Hollywood and it is this part of the film history left untold that this documentary sets out to uncover.

Cast

  •                 Sherry Lansing  
  •                 Lillian Gish          
  •                 Margaret Booth

Rest of cast listed alphabetically:

  •                 Ally Acker … Self
  •                 Dorothy Arzner … Self (archive Footage)
  •                 Cari Beauchamp … Self
  •                 Alice Guy … Self (archive Footage)
  •                 Edith Head … Self (archive Footage)
  •                 Anita Loos … Self (archive Footage)
  •                 Ida Lupino … Self (archive Footage)
  •                 Frances Marion … Self (archive Footage)
  •                 June Mathis … Self (archive Footage)
  •                 Mabel Normand … Self (archive Footage)
  •                 Lynda Obst … Self
  •                 Mary Pickford … Self (archive Footage)
  •                 Robin Swicord … Self
  •                 Virginia Van Upp … Self (archive Footage)
  •                 Paula Wagner … Self
  •                 Lois Weber … Self (archive Footage)
  •                 Mae West … Self (archive Footage)

Directed by Clara Kuperberg and Julia Kuperberg

  • Clara Kuperberg … (co-director)
  • Julia Kuperberg … (co-director)

Written by Clara Kuperberg … (writer)

  •  Clara Kuperberg … ()
  •  Julia Kuperberg … (writer)

Produced by

  • Clara Kuperberg … producer
  • Julia Kuperberg … producer
  • Susan Michals … line producer

Cinematography by Peter Krajewski and Mike Nolan

Et la femme créa Hollywood (2016) HDV 720p

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”The Greatest Question” 1919 – Entire film

A wave of interest in spiritualism has been sweeping the world since the days of the great war. Does after life exist? Can dear one across the Great Beyond exert an influence over earthly destinies? What is the answer to the eternal problem of death ? Griffith had all these questions in mind when he started to screen “The Greatest Question.”

So the vital theme of “The Great Question” was carefully buried beneath “action” at “punch.” It became the story of a little waif in the hands of a murderously brutal farmers couple, her love for a neighboring boy and the subsequent finding of oil—with its attendant avalanche of wealth. The whole is gilded with the philosophy that a simple faith meet and overcomes all obstacles.

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“Arsenic and Old Lace” 1969 – Entire film (TV capture)

During one of her visits to Rapollo, Lillian was invited to co-star with her longtime friend, actress Helen Hayes, in a television production of Joseph Kesselring’s hit homicidal comedy, Arsenic and Old Lace. Lillian and Helen would be playing two sweet, elderly ladies, sisters, who murder lonely old men after extending an invitation to them to visit and sample their special elderberry wine. Helen Hayes jokingly told this author at their first meeting that she and Lillian had known each other forever.

As I grow older, I get forgetful too, but I haven’t reached that point yet. And neither had Lillian when it came to work. She’s sharp as a tack then, as I discovered when we appeared on TV together in Arsenic and Old Lace. It was a challenging production, shot live on a multilevel set that would have tested Edmund Hillary’s climbing ability. (Helen Hayes)

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Portrait of Jennie (1948) – Entire film

Portrait of Jennie (1948)

  • Director: William Dieterle
  • Writers: Robert Nathan, Paul Osborn, Peter Berneis
  • Stars: Jennifer Jones, Joseph Cotten, Ethel Barrymore, Lillian Gish
  • Awards: Won 1 Oscar. Another 1 win & 2 nominations.

Portrait of Jennie is a 1948 fantasy film based on the novella by Robert Nathan. The film was directed by William Dieterle and produced by David O. Selznick. It stars Jennifer Jones and Joseph Cotten. At the 21st Academy Awards, it won an Academy Award for Best Special Effects (Paul Eagler, Joseph McMillan Johnson, Russell Shearman and Clarence Slifer; Special Audible Effects: Charles L. Freeman and James G. Stewart). Joseph H. August was also nominated for an Academy Award for Best Cinematography – Black and White.

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WAY DOWN EAST (Griffith/United Artists, 1920) Entire Film HD

Lillian Gish undoubtedly does her best work to date as Anna Moore, the featured load. She combines subtly the simple-hearted childishness for which her characterizations have long been known with the hurt reserve that the spirit bruising knocks of a cruel world accomplish so quickly in dazed youth. There are few light touches in her offering, and it is much more effective so. Lillian Gish lifts her eyes to heaven as she flees across the shifting ice floes. Her performance as Anna dramatized the shifting perception of women in the decade following passage of the women’s suffrage amendment.

WAY DOWN EAST proved to be one of the most profitable pictures ever made. The master had once more turned the trick. The public was drawn to see an old favorite in a new guise and found its familiar melodramatic qualities heightened beyond expectation. While sticking faithfully to the bones of the play, Griffith had very rightly adapted it to suit the newer medium—notably at the beginning, by adding material to establish the background of the characters, and at the end to give full rein to the last-minute rescue, developed in purely visual terms and heightened through artful photography and cutting. It was a device which had seldom failed Griffith in the past and stood him in good stead now. (Iris Barry)

The Cast:

  • Anna Moore ………….…………………… Lillian Gish
  • Her Mother ……….……………. Mrs. David Landau
  • Mrs. Tremont ………..………… Josephine Bernard
  • Diana Tremont ……….….. Mrs. Morgan Belmont
  • Her Sister ……………………..……….. Patricia Fruen
  • The Eccentric Aunt ………………… Florence Short
  • Lennox Sanderson …….…………. Lowell Sherman
  • Squire Bartlett …………………..…… Burr McIntosh
  • Mrs. Bartlett …………………………..……. Kate Bruce
  • David Bartlett ……..………… Richard Barthelmess
  • Martha Perkins ………………………….. Vivia Ogden
  • Seth Holcomb ………….………………. Porter Strong
  • Reuben Whipple …………….………. George Neville
  • Hi Holler …………………..……………… Edgar Nelson
  • Kate Brewster …………..…………………… Mary Hay
  • Professor Sterling ………….….……. Creighton Hale
  • Maria Poole ………………..…….……… Emily Fitzroy

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Intolerance – 1916 (Entire film HD)

Intolerance was not one story, but four. In Belshazzar’s Babylon (sixth century b.c.), the evil high priest conspires against the wise and just ruler, betraying the city to the Persian conqueror, Cyrus; by the end of this story, every “good” character is dead. In Judea, the close- minded Pharisees intrigue against Jesus; ulti¬ mately, the gentle savior is sent to the cross. In Reformation France (sixteenth century a.d.), ambitious courtiers persuade the Catholic king to slaughter all the Protestant Huguenots on St. Bartholomew’s Day, a massacre that includes the rape and murder of a young Protestant and the killing of her fiance. In twentieth-century America (the “Modern Story,” which used to be The Mother and the Law), strikers are gunned down, a Boy is falsely convicted of murder, and his wife loses her baby thanks to the meddling of a group of reformers; the facts eventually surface to save the Boy from the gallows.

“Intolerance”

D. W. Griffith’s Beautiful and Stupendous “Sun Play.”

All Ages:
The Woman Who Rocks the Cradle – Lillian Gish


Modern Story (1914 a.d.):

  • The Dear One – . . Mae Marsh
  • Her Father, a mill worker – Fred Turner
  • The Boy – Robert Harron
  • Jerkins, mill magnate – Sam de Grasse
  • Mary Jenkins, his sister – Vera Lewis
  • Strike Leader – Monte Blue
  • Two Crooks – Tod Browning, Edward Dillon


Judean Story (27 a.d.):

  • The Nazarene – . . Howard Gaye
  • Mary, the mother – Lillian Langdon
  • Mary Magdalene – Olga Grey
  • First Pharisee – Erich von Stroheim
  • Second Pharisee – Gunther von Ritzau
  • Bride of Gana – Bessie Love


Medieval French Story (1572 a.d.):

  • Brown Eyes, daughter of a Huguenot family – Margery Wilson
  • Prosper Latour, her sweetheart – Eugene Pallette
  • Charles IX, King of France – Frank Bennett
  • Catherine de Medici – Josephine Crowell
  • Marguerite de Valois, sister of Charles IX – Constance Talmadge
  • Due d’Anjou, heir to the Throne – Maxfield Stanley


Babylonian Story (539 B.C.):

  • The Mountain Girl – Constance Talmadge
  • The Rhapsode, her suitor and secret agent of the High Priest of Bel – . . Elmer Clifton
  • The Prince Belshazzar – . . Alfred Paget
  • The Princess Beloved, adored of Belshazzar – . . Seena Owen
  • The King Nabonidus, ancient apostle of religious toleration – Carl Stockdale
  • The High Priest of Bel, who conspires against the Throne – Tully Marshall
  • Cyrus, emperor and war lord of the Persians,world-conqueror – George Siegmann
  • Gobyras, the Mighty Man of Valour,Belshazzar’s bodyguard – Elmo Lincoln
  • Captain at the Great Gate of Imgur-Bel – . . Ted Duncan
  • Solo Dancer – Ruth St. Denis

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The Birth of a Nation – 1915 Entire film HD

D. W. GRIFFITH / HARRY E. AITKEN / EPOCH PRODUCING CORP. (distributor)  1915

CAST: Lillian Gish, Henry B. Walthall, Robert Harron, Mae Marsh, Wallace Reid, Miriam Cooper, Donald Crisp, Joseph Henabery, Raoul Walsh, Walter Long, Eugene Pallette.

CREDITS: D. W. Griffith, director; D. W. Griffith and Frank E. Woods, screenplay; based on the novel The Clansman, by Thomas Dixon; G. W. Bitzer, photographer. Running time: 185 minutes.

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