The Parade’s Gone By … Kevin Brownlow – 1968 (PDF Download)

With frames and photographs you’ve never seen before, with pungently alive first hand recollections, The Parade’s Gone By… recreates the earliest days of the movies, how the first moving pictures were actually shot, how the first film makers improvised, evolved— indeed invented— the techniques that we take for granted today and turned a crude, fumbling gimmick into an art.

Originally published in hardcover by Alfred A. Knopf THE PARADE’S GONE By. .. is an indispensable book of film history, acclaimed by critics as the best book on its subject in forty years, a vivid, nostalgic, immediate portrait of the cinema’s golden age.

The Parade’s Gone by … written by Kevin Brownlow

Survivors of a golden age talk about the movies before the movies learned to talk…

The Parade’s Gone By … (Kevin Brownlow – 1968)

THEY SPEAK in this book—the pioneering directors Henry King, William Wellman, Josef von Sternberg, Clarence Brown, the stars and producer stars Harold Lloyd, Mary Pickford, Buster Keaton, Gloria Swanson, the cameramen and script writers, the film editors, the stunt men and the creative giants of the silent screen.

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John Huston: Maker of Magic – By Stuart Kaminsky – 1978 (The Unforgiven) – Download book and film

Stuart Kaminsky has written the first book on Huston to deal with his entire opus and the first to relate Huston’s life to his work. Huston is portrayed as a fascinating combination of fraud, genius, and tail-story teller. Kaminsky has relied upon interviews with many people who have worked with him, including Don Siegel, William Wyler, Eli Wallach, and many writers and pro- ducers in the film industry. The result is a portrait of an authentic American genius of film.

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American Silent Film – By William K. Everson (1978) PDF Download

The best Griffiths of 1912-13 are not merely milestones of technique on the way to a final development but outstanding little films that need no apology for age. The Musketeers of Pig Alley ( 1912 ) has compositions that Eisenstein and Tisse could have been proud of a decade later. The remarkable An Unseen Enemy, also made in 1912 and used to introduce Lillian and Dorothy Gish, has a surreal, nightmare quahty to its melodrama that almost certainly influenced the images in the French serials of Feuillade. And best of all, the mature, often almost Freudian The Mothering Heart ( 1913), with a superb performance by Lillian Gish as a mature wife and mother, is a totally modern and valid film today, with erotic symbolism in its last scene so advanced for its day that one would almost think it accidental, if not for the lingering close-up that Griffith utilizes to underline the point and assure us otherwise.

D.W. Griffith and Billy Bitzer on location in Cuddebackville – NY, directing “The Squaw’s Love.”

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Charles Laughton – An Intimate Biography (Charles Higham – 1976) PDF Download

Charles felt that the greatest of the Griffith actresses was Lillian Gish. Her vibrant responsiveness to the demands of scenes was so complete that nothing, no trick or artifice or use of gesture, no single member of her body or even pore of her skin, held her apart from a totally instinctive sense of what her part meant. Her purity and the innocent directness of her approach left him astounded. Tiny and seemingly fashioned of finest steel, she used her narrow face, huge fluttering liquid eyes, and pursed butterfly mouth with the formal precision of a Kabuki actor. Her control of bodily expression was indeed almost Japanese. Given Charles’s love of Japanese art, one can see the appeal she would have for him—the appeal of a great artist in miniature.

Charles Laughton, an Intimate Biography – cover

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American film acting : the Stanislavski heritage – by Richard A. Blum (1984) PDF Download

  • American Film Acting
  • The Stanislavski Heritage
  • by Richard A. Blum
  • Copyright © 1984 Richard Arthur Blum All rights reserved
  • Produced and distributed by UMl Research Press an imprint of University Microfilms Inc. Ann Arbor, Michigan 48106

One of Griffith’s actresses, Lillian Gish, received a letter of commendation from Nemirovich-Danchenko, who cofounded the M.A.T. with Stanislavski:

I want once more to tell you of my admiration of your genius. In that picture “The Wind” the power and expressiveness of your betrayal began real tragedy. A combination of the greatest sincerity, brilliance and unvarying charm places you in the small circle of the first tragediennes of the world…. It is quite possible that I shall write [of it] again to Russia, where you are the object of great interest and admiration by the people.”

Clearly, D. W. Griffith was an important figure in establishing realistic acting standards for American film, just as Belasco popularized realistic detail and understatement in commercial theatre.

American film acting : the Stanislavski heritage – cover

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FLASHBACK – LOUIS GIANNETTI /SCOTT EYMAN (1986) PDF Download

FLASHBACK – A Brief History of Film – third edition

  • LOUIS GIANNETTI (Case Western Reserve University) /SCOTT EYMAN
  • © 1996, 1991, 1986 by Prentice-Hall. Inc. Simon & Schuster / A Viacom Company
  • Englewood Cliffs, New Jersey 07632

The nickelodeon era—an art for the masses. Cinema’s first genius: D. W. Griffith. Griffith’s Biograph shorts: 1908-1913. Evolving a film grammar: the art of editing. The Griffith stable of actors and technicians. Lillian Gish: the screen’s first great actress. Attempt by the Patents Company to monopolize motion picture production. The first moguls: Carl Laemmie, William Fox, and Adolph Zukor. Griffith’s The Birth of a Nation (1915), the screen’s first feature film masterpiece. Racial controversy. Griffith’s monumental Intolerance (1916) introduces thematic editing. The westerns of William S. Hart. Thomas Ince, the founder of the American studio system. Early works of Cecil B. De Mille, showman. Mack Sennett establishes the Keystone Studio, specializing in slapstick comedies. Early screen clowns: (Mabel Normand and Fatty Arbuckle.

DW Griffith filming team – Mamaroneck NY – Way Down East

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A Pictorial History of the AMERICAN THEATRE 1860-1980 (by DANIEL BLUM – 1981) PDF Download

There has been no book up to now which will be as valuable to actors and theatre lovers in years to come as this pictorial history of the American stage by Daniel Blum. Here is a permanent record of all the great plays and players of the last one hundred years. The camera as it has been used by many masters of the photographic art has an ability which is almost uncanny in capturing mood and interpretation as well as likeness.

A pictorial history of the American theatre, 1860-1980 cover

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The MGM Girls Behind The Velvet Courtain – 1983 (PDF Download)

Peter Harry Brown & Pamela Ann Brown

Louis B. Mayer had a talent for taking hopeful young actresses and turning them into the glamorous movie queens that audiences associated with his MGM studios. Few in those audiences realized that those carefully created, pampered stars were the most bullied women in Hollywood. The MGM Girls raises the velvet curtain and shows the real story of life on the movie lot that Hedy Lamarr called “heaven and hell all contained in five acres.”

MGM-backlot-set-for-Meet-Me-in-St.-Louis-1944

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