Too True To Be Good
George Bernard Shaw
Too True to Be Good (1932 original) is a comedy written by playwright George Bernard Shaw at the age of 76. Subtitled “A Collection of Stage Sermons by a Fellow of the Royal Society of Literature”, it moves from surreal allegory to the “stage sermons” in which characters discuss political, scientific and other developments of the day. The second act of the play contains a character based on Shaw’s friend T. E. Lawrence.
It received a Broadway revival in 1963, directed by Albert Marre and starring Robert Preston, Lillian Gish, David Wayne, Cedric Hardwicke, Cyril Ritchard, Glynis Johns, and Eileen Heckart. This production featured incidental music by Mitch Leigh
54th Street Theatre, (3/12/1963 – 6/01/1963)
First Preview: Mar 09, 1963 Total Previews: 2
Opening Date: Mar 12, 1963
Closing Date: Jun 01, 1963 Total Performances: 94
Opening Night Credits:
- Lillian Gish – Mrs. Mopply
- Cedric Hardwicke – The Elder Mr. Bagot
- Eileen Heckart – The Nurse Sweetie
- Glynis Johns – The Patient Miss Mopply
- Ray Middleton – Sergeant Fielding
- Robert Preston – The Burglar Aubrey
- Cyril Ritchard – Colonel Tallboys
- David Wayne – Private Meek
Miss Lillian Gish
- Produced by Paul Vroom, Buff Cobb and Burry Fredrik;
- Associate Producer: Robert M. Newsom
- Written by George Bernard Shaw;
- Incidental music by Mitch Leigh
- Directed by Albert Marre
- Scenic Design by Paul Morrison;
- Costume Design by Edith Lutyens Bel Geddes;
- Lighting Design by Paul Morrison;
- Transition sequences designed by Abner Dean;
- Assistant to Mr. Morrison: Richard Burns
- General Manager: Paul Vroom
- Production Stage Manager: James S. Gelb;
- Stage Manager: Ian Cadenhead
- Production Assistant: Doris Blum and Jerry Zafer;
- Press Representative: David Lipsky and Fred Weterick
A talking Microbe complains that he is beginning to feel ill, since he has become infected by the sick Patient whom he himself infects. The Patient is the daughter of Mrs Mopply, whose children have been dying of the illness one by one. The Patient feels that her life is empty and pointless. When her nurse Susan and the nurse’s boyfriend Aubrey are discovered attempting to steal the Patient’s jewels, the Patient is delighted. She suggests that they should sell the jewels and pretend to kidnap her so that she can experience life away from her stifling home. The three leave. The Microbe tells the audience that the actual plot of the play is now over, and that the rest will just be a lot of talking.
The three escapees arrive at a fort in a jungle, at an outpost of the British Empire governed by Colonel Tallboys. Susan pretends to be a Countess, arriving with her brother and maid. They soon discover that the real ruler of the area is the seemingly diffident Private Napoleon Alexander Trotsky Meek. When rebellious natives attack the fort, the Colonel merely paints a watercolour, leaving Meek to confront them. The trio now find that they too are infected by boredom, as life in the wild tropics is as empty as it was back in Britain.
Mrs Mopply and Aubrey’s father, The Elder, come to the fort looking for the missing trio. The characters engage in lengthy philosophical discussions about science, religion and politics. The Elder, an atheist, debates religion with Sergeant Fielding, a soldier undergoing a crisis of faith. After the Colonel hits Mrs Mopply on the head with an umbrella, she fails to recognise her own daughter. As a result, she and the Patient become friends for the first time and leave together. Left alone, Aubrey concludes that “we have outgrown our religion, outgrown our political system, outgrown our own strength of mind and character”.
Awards: “Tony Award”
1963 Best Producer of a Play [nominee] Paul Vroom
1963 Best Producer of a Play [nominee] Buff Cobb
1963 Best Producer of a Play [nominee] Burry Fredrik
George Bernard Shaw was an Irish playwright, socialist, and a co-founder of the London School of Economics. Although his first profitable writing was music and literary criticism, in which capacity he wrote many highly articulate pieces of journalism, his main talent was for drama. Over the course of his life he wrote more than 60 plays.